Found Time: 5 Tips to Find Time for Writing (and Reading)

You might be familiar with the term “found time,” which refers to time that unexpectedly opens up in our schedules–when a flight is delayed, when an appointment is canceled, when we miraculously finish the to-do’s on our list before we thought we would. Because one of the greatest obstacles to writing (and for me, to reading) seems to be finding time for it, it’s imperative that we A) find time and B) use found time to its fullest potential. While we’re all always incredibly busy, we might have more found time in our schedules than we realize, and we can use this time to support our literary lives, even with the rest of life seems to be getting in the way.

Make the Most of Mealtimes

If you find yourself eating a meal unaccompanied, write or read while you eat. You have to sit down and be still anyway–you can’t clean the house or go for a run while you eat–so it’s a great time to get out your laptop, journal, diary, or book and write or read. Plus, it makes you eat more slowly, which I’ve read is good for your health.

Be Prepared

In order to use found time, you have to be prepared to use found time. If time opens up in your day, but you don’t have the tools you need to use it (your book, pen, notebook, laptop–whatever), you’re going to be hard-pressed to be productive. For this reason, bring a notebook and writing utensil or your latest read with you everywhere. Then, when unexpected time arises, you can use it to write or read.

Use the Bathroom

Read or write when you use the bathroom. It might sound crass and it’s probably not hygienic, but it works. No one is going to bother you while you’re in there and, as with eating, you’re sitting down and being still, anyway. Take advantage of the time! What else are you gonna do with it (I mean, besides a No. 1 or a No. 2)?

Go to Bed

Or at least say you’re going to bed. Then, spend 15 to 30 minutes writing or reading before you turn out the lights for the night.

Keep a List Handy

For writing, make a list of topics, experiences, ideas, or memories you know you want to write about. That way, when you end up with a little unexpected time, you won’t have to waste any of it wondering what to write about–you can just pull out your list and pick from it.

While our lives are inevitably busy and sometimes chaotic, little pockets of time unexpectedly open up in our schedules now and again. When they do, be ready to use them to nurture your love of writing and reading!

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11 Ways to Nurture Your Writing

As writers, we like to tell stories. Unfortunately, some of the most frequent stories we tell ourselves are probably about how we don’t have time to write. Or how we’re stuck in a rut, the dreaded writer’s block having taken hold. Or we’re no good at writing. Or we don’t have any ideas worth writing about. The list of stories about why we’re not writing–even though we love to write–is a long one. But these aren’t the stories we have to tell ourselves, and they’re certainly not very fun stories to write (or read). Even when you’re busier than busy, battling writer’s block (or letting it win), feeling insecure, or facing a seeming dearth of ideas, there are lots of things you can do to maintain your cherished identity as a writer, and flex your writing muscles.

Story No. 1: I Don’t Have Time

Once upon a time there was a teacher named Mrs. Creasey (that’s me!). She brought home hours of papers to grade almost every night, trained for half marathons, cared for her dogs, managed her household, volunteered once a week at a local no-kill animal shelter, and worked part-time at a local YMCA to supplement her income. You might imagine that Mrs. Creasey found little time for her writing, and you’d be right; it felt like a leisure activity for which she simply did not have the time–but she wished she did. Despite being so busy, Mrs. Creasey often missed writing, and lamented the months that would pass between even her diary entries. Truly, it was shameful. Fortunately, Mrs. Creasey eventually realized there were lots of ways she could carve out time to make writing a priority, and she still does–to this day.

Get your MFA or MALS

When I realized I was no longer making time for my writing, and how much I ached to do so, I decided the best way to make it a priority in my schedule was to get my graduate degree. If I had money wrapped up in it, and homework to do–I would make time. And I did. Earning my graduate degree in creative writing forced me to make time for writing in my busy life–and I was happy to do so. My writing became an obligation, and one I was glad to assume. No one–including myself–questioned me when I said I had homework, so I gladly made time to sit down and write the poetry, personal essays, creative nonfiction pieces, and short stories assigned to me. As an added bonus, my income slightly increased once I completed the degree.

My writing became an obligation, and one I was glad to assume. No one–including myself–questioned me when I said I had homework, so I gladly made time to sit down and write the poetry, personal essays, creative nonfiction pieces, and short stories assigned to me.

Take a Class or Workshop

If earning your degree seems too big a commitment, you might consider something a bit less demanding, like a single class or a workshop, which can yield some of the same benefits. Participating in a class or workshop provides you with a structure in which to write. If your daily schedule seems to make carving out writing time difficult, taking a class or workshop gives you the peace of mind of knowing that on Tuesday nights from 7:00-9:00 (or whenever your class/workshop takes place), you will be able to dedicate two (or however many) glorious hours to your craft.

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Last week, my friend Renee, who lives in Alaksa, spent some time in Richmond. On the final evening of her visit, we participated in a two-hour Life in 10 Minutes writing workshop.

Some of my favorite workshops in the Richmond area have been Life in 10 Minutes, the novel-writing class in which I am currently enrolled at the Visual Arts Center of Richmond, and James River Writers Master Classes and Writing Shows.

Get Some Freelance Gigs

It’s amazing what you can find time for if you’re getting paid to do it and you love to do it. One way to make yourself make time for writing is to find a way to get paid for it. Check out platforms like Contently, subscribe to (and read) the Freedom with Writing e-mails, contact your local newspapers, network with other writers, take a class on freelance writing… There are lots of ways to make a little (or a lot of) money with your writing.

Story No. 2: I have Writer’s Block

In a land far, far away, there was a writer who couldn’t write. She had ideas–lots of them, but putting them into words–turning them into stories or poems or books–was a task that seemed impossible. She begged her muse to help her, but her muse seemed to have been on vacation for a long time. A very, very long time. Eventually, she realized that she was going to have to write–muse or no muse. And she tried some of the tactics below.

Journal

One way to write even when your muse seems to have deserted you is to keep a diary or journal. Don’t burden your entries with purpose or expectation–just write about your thoughts, feelings, or day.

Attend a Conference

Attending a conference can have a way of summoning your muse right back from wherever she has been hiding. Some of the most inspiring events I have attended include those put on by the Poetry Society of Virginia, and the James River Writers Annual Conference.

Read

Reading can prove an extremely effective way to inspire ideas–so read your books (and write in them). One place to start is this blog post about books every writer should read.

Story No. 3: I’m not a Good Writer

Once upon a time there was a woman named Jane Doe (I know–not very original). She used to write, but over the years, the practice had simply slipped from her routine, and though she sometimes thought about picking it back up, she didn’t really think she was that good at it, anyway. She had taken some writing classes in college, but mostly, her classmates and instructors focused on how she could improve, and while that was helpful, it also made her feel like maybe she wasn’t cut out to be a writer after all.  Nowadays, her writing was confined to e-mails and memos at work. But a small part of her still missed writing–stories and poems and personal essays. If only she were good at it…

Make Creative Friends

Making creative friends is a great way to nurture your own creativity. Fellow creatives can support you, point out what’s good in your work, and give you feedback to inspire your progress. You can also share your work with each other. Surrounding yourself with people who believe in you is a surefire way to make yourself feel more valid in your craft.

There are lots of ways to find creative friends. Consider joining a writing group such as Virginia Outdoor Writers Association, Poetry Society of Virginia, James River Writers, or a critique group. Taking writing classes or workshops is another great way to meet fellow writers.

Take a Risk

Another way to prove to yourself that you are, indeed, a “good writer” is to submit your work to journals, contests, and publications. Admittedly, this practice also opens you up to significant risk, but it gets your name out there and helps you feel validated. Plus, the recognition you earn when a piece is published or wins an award is rewarding, to say the least. And even if you meet with rejection at first (or often), I find that having work out there gives me hope. The more pieces I send out to publications, the higher their chances of finding a publication home (in my mind, anyway). I like the feeling of my work floating around out there. I like the anticipation. The fact that I have writing to send out means, at least, I am writing.

Story No. 4: I don’t have any Good Ideas

Once upon a time, there was a teacher named Mrs. Creasey (that’s me again!), who had a sticker on her classroom door so she would see it every single morning when she unlocked the door to go to work. It read: “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt” (Sylvia Plath). Mrs. Creasey loved this quote–for her students and for herself. Another of her favorites? “It’s not what you write about, but how you write it.” Both of these quotes hold true for anyone who wants to write. You can write–you have the ideas. You just have to, ya know, do it.

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” –Sylvia Plath

Observe

If you seem to be suffering from a dearth of ideas, take a notebook with you everywhere and write things down. Write anything and everything down. All your observations are fodder for future pieces.  Notate your observations in nature, things you hear or overhear, ideas you have, questions you have, names you like…

Story No. 5: No One Wants to Read What I Write, Anyway

Once upon a time, there was a writer who loved to write, and who wrote all the time–but who often felt discouraged because he was certain that despite his best efforts, no one actually wanted to read what he wrote–even if it was really, really good. It seemed no one cared. And besides–writing isn’t like a painting or a photograph or a sculpture, easy to display and share. It requires some effort on the reader’s part, some willingness to invest time, energy, and thought in the piece. Who was going to do that when they could simply watch TV, play games on their smart phone, go to the movies, or do any number of easier activities?

Start a Blog

One way to combat the sense that no one is interested in your writing is to start a blog. At least a few people will read it, and that’s nice. Plus, maintaining a blog can help hold you accountable to your writing. Knowing you have even a small audience who might be waiting for your next post can be motivation to write the next post. Besides, it feels empowering and validating to have an online presence, albeit a small one.

Use Social Media

Using social media outlets such as Facebook or Instagram can help grow your audience for your blog–or any other writing you do. Just be careful not to allow your social media accounts to steal time away from your actual writing.

And They Lived Happily Ever After…

While the above advice is nice, and can prove productive if you need a pick-me-up or a way back into writing after a hiatus or a blow to your confidence, the most important thing you can do for writing is actually write. It will be a struggle sometimes, but nothing worth doing is every easy (at least not all the time).

 

 

 

 

 

Submitting Your Writing to Literary Magazines and Writing Contests: Part 2, Best Practices

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This spring, I was privileged to attend a workshop led by Dana Isokawa of Poets & Writers Magazine in Richmond, Virginia, at St. John’s Church (pictured above). Edgar Allan Poe’s mother is buried in the churchyard.

Earlier this month, I posted a piece about what to consider when you prepare to submit your writing to literary magazines and/or writing contests. Now, let’s focus on considerations you should make depending on the type of writing you do.

Rules of Thumb

Before we break down what to do when submitting poetry versus prose, there are some general rules of thumb to follow for any genre. The following tips come to you from Dana Isokawa, Associate Editor of Poets & Writers Magazine. In April, I was fortunate enough to attend a workshop she led in Richmond. She provided some really helpful advice.

  • Research your opportunities. Figure out what publications or contests are out there, and which might be the best fit for your work. After you’ve done that, tier your top choices and start high! When you applied to college, you likely applied to a dream school or a reach school, as well as several backup schools. When you submit your writing, you can use the same principle. First, submit to your absolute top choice contest or publication, but have some second and third choices in your back pocket.
  • Keep track of your submissions. Some publications allow simultaneous submissions. Some don’t. Even those who do will likely request that you let them know if your work is accepted elsewhere. For these reasons, and others, it’s important to keep records of where you’ve sent your work, and whether or not it was accepted.
  • Decide on a budget for each piece. What are you willing to spend on submissions in total, and on each individual piece?
  • Compose a cover letter. Keep it short, and be specific to each publication or contest. If you’re submitting to a journal or magazine, you will also want to devote one or two sentences to explaining why your work is a good fit for the magazine.

Submitting Poetry

For most journals or contests, select three to five poems of various tones, lengths, and topics. Some journals and contests require a specific number of submissions, or cap the number of submission you may send, so be sure to read the submission guidelines carefully.

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My workspace as we workshopped a poem for submission to a contest or publication

When you submit a batch of poetry, think of it as a whole, and organize your submission wisely, with your best work at the beginning. Think of your first poem as the hook that will get the reader’s attention, and entice her to read more.

Submitting Prose

Short Stories

Before submitting a short story to a contest or publication, make sure it features a strong beginning, or hook. A strong start is absolutely critical, as you’ll need to get and keep your reader’s attention. After all, she likely has a stack of other stories waiting for her time and focus.  Ms. Isokawa suggests two effective ways to craft a strong start: Begin with action, or write with really strong voice.

Novel Excerpts

When you submit a novel excerpt, your chosen piece should be able to stand alone. A flashback or decision scene might work well. You can also consider adapting an excerpt of your larger work by taking out references to parts the reader won’t get to read.

Upon Acceptance

Should you be fortunate enough to find a publication home for your work or for your work to be honored with an award, be sure to thank the editors, and share the journal, publication, or contest on social media. They’re helping promote you; help promote them.

Upon Rejection

If your work is not accepted, you might still be lucky enough to get a rejection with feedback. If an editor is kind enough to provide any feedback at all, say thank you–don’t ask for more feedback.

If you ever resubmit to a publication that has previously rejected but offered feedback on your work, be sure to mention their note with your new or revised submission.

Don’t allow rejection to discourage you. Try again. Even the most celebrated writers have dealt with rejection, and many still do. To help combat the temptation to give up, always have a piece of writing “in waiting” or “on deck,” one you can send out to contests and publications as soon as its predecessor gets rejected.

 

 

 

Submitting Your Writing to Literary Magazines and Contests: Part 1, Getting Started

IMG-3562Back in April, I attended a submissions workshop put on by the James River Writers and led by Dana Isokawa, Associate Editor of Poets & Writers Magazine. I’m sure I don’t need to tell you that being in the same room as Ms. Isokawa was a pretty surreal privilege, but I probably do need to tell you what I learned, which why I’m writing this blog post, as well as a follow-up later this month.

Why Submit

Submitting your writing–particularly your poetry, which can be deeply personal and painstakingly crafted–is scary, to say the least. You’re sending your work (AKA your soul) out into the world for all to see, and it’s probably going to get ignored (best-case rejection scenario) or bludgeoned (worst-case rejection scenario) for years before it ever finds its publication home (if it ever finds its publication home). Despite the vulnerability submitting your writing entails, there are many compelling reasons to put on your big-girl pants and start submitting. Here are a few:

  • Submitting your work helps get your work and your name out there.
  • Submitting your writing helps it–and you–find an audience, and once you find one, you can work to keep it.
  • Sending your writing out into the world, while it may open it up to abuse, is also one of the best ways to support your writing. You’re putting your stamp of approval–your faith–in its merit, and if you don’t believe in it, who will?
  • One of the most effective ways to network and build a writing community is through sending your work off.
  • Submitting your work such as poetry, essays, short stories, or articles can help lead to the accomplishment of larger publishing goals you may set–such as a book deal.
  • Sending your writing to contests, journals, and magazines can help motivate you to write, revise, and keep writing. Contest and submission deadlines, as well as the sense of validation you’ll feel when one of your pieces does get accepted, are excellent motivators.

Knowing When a Piece is Ready

Okay, so maybe I’ve convinced you of the worth of risking not only your ego, but also your sense of identity as a writer, in submitting your writing to publications. But how do you know when a piece is polished enough for potential publication? Here are some signs:

  • It has successfully undergone an editorial review
  • Other people–readers and fellow writers alike–have read it and liked it
  • You have set it aside for a while and you like it when you reread it–you impress yourself
  • Your sure your own skin is thick enough to handle potential rejection
  • You’re ready to share and prepared to have people read and react to it.

Finding the Right Journal or Contest for Your Writing

You can increase your chances of acceptance and decrease your chances of rejection by finding the right home for your writing before you send it off to knock on journal doors. Instead of just sending your writing off blindly, do some research first, and find the publications most likely to welcome your writing inside. Here are some things to keep in mind:

  • Know the publication. Be familiar with its style, layout/organization, types of work it tends to publish, sections, etc. Read it. Be familiar with its tone, voice, and subject matter. Make sure the work you plan to send aligns with these qualities in the publication.
  • Know your own genre, form, style, voice, and subject matter. Do they align?
  • Think categorically:
    • Consider your background as a writer and a person. Think about factors like your location, your career, or your religion, for example.
    • Look for publications that focus on specific themes or styles. For example, journals that focus on a certain place, on nature, on conservation, on sports or a particular sport, etc.
  • Consider your subject matter.
  • Submit to publications where you find writers you admire.
  • Consider your form (flash fiction, short story, poetry, long-form essay, etc.).
  • Consider your genre (sci-fi, speculative romance, crime, etc.).

Vetting Journals and Contests

While you may be eager for the sense of recognition, validation, and success an acceptance provides, don’t be so over-zealous that you miss important red flags. It’s best to avoid sending your work off if:

  • The contest of publication requires you to pay a high fee to submit your work
  • A high fee is required–and paired with comparatively low-value prize or award
  • The fee is over $10 and the contest of publication offers no payment
  • The contest or publication has no “about page” or masthead.

If the publications you are considering pass the above tests, there are still a few items to consider. Make sure, for example, that the promised prize is actually awarded consistently by checking past winners’ page.

While there are red lights, there are also green lights that should encourage your submission to a given publication. Here are a few:

  • Your read the publication and like it.
  • You admire the work it offers.
  • It promotes its writers.
  • Its entry fees for novels cost more than those for poems.
  • There is not more than a $10-$20 fee for prize of $1000 or more.
  • If you are submitting a book or manuscript, a $40 fee or less for a prize up to $10,000 is appropriate.

Next Steps

If all this talk of publiation has you rearing and ready to submit some writing (and I hope it does), The Avocet, an online literary journal of nature poems, is currently and actively seeking submission. See their guidelines and several opportunities below.

Time to share a Summer-themed poem

 Please read the guidelines before submitting

 Please take a minute to pick a poem of your choice and send it to us.

  Please send only one poem, per poet, per season.

 Let’s do Summer-themed poetry for The Weekly Avocet.

Please send your submission to angeldec24@hotmail.com

Please put (early or late) Summer/your last name in the subject line.

Please do not just send a poem, please write a few lines of hello.

Please do not have all caps in the title of your poem.

Please no more than 45 lines per poem.

Please use single spaced lines.

Please remember, we welcome previously published poems.

Please put your name, City/State, and email address under your poem.  If you do not, only your name will appear.  No Zip codes.

Please send your poem in the body of an email.  Please do not send in an attachment.

 We look forward to reading your Summer submissions…

 Let’s all take this Garden Challenge.

 Send us your 3 best poems of your love of gardening…

 Please no more than three, following the same guidelines as above.

 Please put Garden Challenge/your last name in the subject line of your email and send to angeldec24@hotmail.com 

 Please send Summer haiku

 

 

 

The High Goal

Writing of her spiritual journey, Mary Baker Eddy explains that she “finds the path less difficult when she has the high goal always before her thoughts, than when she counts her footsteps in endeavoring to reach it. When the destination is desirable, expectation speeds our progress.” Her wise words can be applied not only to a spiritual search for salvation, but also to our writing goals. The guidance supplied in this quote can help us battle writer’s block, discouragement, rejection, and the temptation to quit, born of these ills.

My confidence is a pendulum constantly swinging between two extremes: doubt and delusions of grandeur.

I find Mrs. Eddy’s words helpful whenever I feel myself succombing to the sense that my project isn’t worthwhile–no agent will want to represent it, no publisher will find it marketable, no reader will want to read it. We all face these insecurities. For me, they are as frequent as their opposites: I am writing the next Great Novel. It will become a best seller and a major motion picture. I have something valuable and worthwhile and unique to say. My confidence is a pendulum constantly swinging between two extremes: doubt and delusions of grandeur. While it’s easy to keep writing when the latter thoughts fill my mind, perseverance in the face of such negative self-talk as the former thoughts proves a bit of a struggle.

But keeping Mrs. Eddy’s words in mind helps. For my writing, the “high goal” right now is seeing my novel published. The “high goal” is the satisfaction of knowing something I wrote is making people think and rethink, question and wonder, read and reread. The “high goal” is inspiring new ideas, even long after I’m gone. One current obstacle to this goal: My novel isn’t even finished. But step one is there: I have set the goal (and started writing the novel).

Instead of letting disheartening thoughts of doubt cloud our thinking, instead of wondering why we even bother, instead of letting the footsteps we must take feel arduous and grueling, rejoice in the fact that you are taking the necessary steps towards reaching that glittering goal, whatever it may be.

Of course, setting a goal alone is no guarantee you’ll achieve it. We do have to take “footsteps in endeavoring to reach it.” I like to ask myself periodically what I have done for my writing recently–what have I done to support my high goal? Here are some possible answers:

  • written a chapter outline
  • enrolled in a novel-writing class
  • attended a conference
  • participated in a workshop
  • submitted poetry, stories, or essays to publications
  • written in my diary or journal
  • composed a blog post
  • read a book
  • asked someone to read something I’ve written and provide feedback
  • actually written a chapter of my manuscript
  • people watched
  • eavesdropped
  • taken inspiration from nature
  • listened to Podcasts or read articles relevant to my topic.

It can be easy to get bogged down in counting these steps, as Mrs. Eddy warns against. But when we find ourselves feeling buried by little things, it truly can be helpful to take a step back and remember the bigger picture, the higher goal. Instead of viewing revision as a chore, or dreading working on your project because you’re in the tight-fisted grip of writer’s block, remember that your “destination is desirable,” and the “expectation of good speeds our progress.” Instead of letting disheartening thoughts of doubt cloud our thinking, instead of wondering why we even bother, instead of letting the footsteps we must take feel arduous and grueling, rejoice in the fact that you are taking the necessary steps towards reaching that glittering goal, whatever it may be. Remember that each revision, each belabored chapter rewrite, each late night writing and rewriting–they are all part of the process. Instead of dwelling on each difficulty, take pride in your progress. As long as you don’t lose sight of where you’re going–as long as you keep the high goal always before your thoughts–each footstep takes you a little closer to where you want to be.

Where to Write: The Best Writing Locations for Every Project

If you enter the front door of my house, mount the stairs, and make a left, you will find yourself in the room my husband and I call “the office.” Despite its mundane name, the office serves a myriad of functions: It’s my husband’s video game room, our catch-all room, and my writing room. It even served a short stint as a guest room at one point.

Opposite a massive television that dominates an entire wall of the office, sits my heavy, wooden desk, its broad surface all but covered with magazines, books, candles, a few photographs and business cards, a mug full of pens, and my laptop. I was pretty proud of this little space–this tiny portion of the room that was mine–when we first set it up. For a while, I even started referring to the office solely as “my writing room.” Truth be told, though, my husband plays far more video games in there than I write articles, poems, essays, or stories. And so, gradually, the room has returned to its original name: the office (though maybe “gaming room” would be more appropriate).

I do write there occasionally. It’s a cozy, quiet spot–and it’s nice to have all my writing materials handy (if not 100% organized). I’ve found, though, that despite my loving the idea of a writing room, I’m a fairly migratory writer. I write at the kitchen table. I write at the table outside on our back deck (a lot). I write on the couch. I write perched on the edge of the brick hearth in front of our fireplace. I write sitting in a gravity-free chair beside the fire pit in our backyard. I write on rocks in the middle of the Jame River. I’ve even been known to write during a float session and in an inflatable, backyard pool. Each of these locations offers its own set of benefits and drawbacks. Each environment contributes to–or, in some cases, detracts from–the creative process in some way.

Writing Outside

One of my favorite places to write is outside–anywhere outside. My back deck, my front porch, my hammock, the river, the beach… I find writing outside in the natural world offers a plethora of benefits. My mind is free to wander through the open space of fresh air, tangled tree branches, birds on the wing. Nature seems to help open up my creative pathways and free my imagination.

The advantages I find to writing outside are many. The natural world offers stimulation for all five senses, and often, unexpected inspiration. My essay, “Out Of Touch,” was inspired in large part by an experience just lounging on my hammock in the backyard. “The moon was late to the party” came of an experience I enjoyed on two consecutive nights of evening walks. I wrote a large portion of Goodbye for Now on my back deck.

The outdoors also offers a way out of ourselves–transcendental experiences that seem to allow us a wider sphere of perception and thoughtfulness, and a broader scope of imagination. Being at one with nature puts me in a meditative state that is more open to ideas than my usual, task-oriented mind.

Writing outside offers a way out of ourselves–transcendental experiences that seem to allow us a wider sphere of perception and thoughtfulness, and a broader scope of imagination.

In addition, if you’re falling victim to writer’s block, one way to overcome it is to step outside and observe nature. Focus on each sense individually, and describe, in detail, what you see, hear, feel, taste, and smell.

Some of my most original and pertinent lines, phrases, ideas, metaphors, and similes find me when I’m outside.

There are, however, a few drawbacks (none of which outweigh the benefits, if you ask me). Kris Spisak, author of Get a Grip on Your Grammar: 250 Writing and Editing Reminders for the Curious or Confusedsays she writes “outside a lot, but I can’t edit there if I’m in fine-tuning mode. The glare on my screen lets imperfections slip through undetected.” Sun glare on a laptop screen can indeed be pretty brutal sometimes, and outdoor situations are not always the most ergonomic. Plus, writing outside is obviously weather-dependent, so it’s not always a feasible option. Finally, sometimes I myself tend to get caught up in my surroundings, and end up doing more observing and appreciating than writing.

Writing in a Coffee Shop

Somehow, writing in a coffee shop has the effect of just magically making me feel like a bona-fide writer. I’m not sure why, exactly–but I feel legitimate when I write in a coffee shop. (Or itwould, I imagine, if I ever wrote in a coffee shop…) Another plus is the people watching you can manage in a bustling coffee shop can help inspire character ideas, and the conversations you can overhear can help inspire dialog.

A coffee shop sometimes offers fewer distractions than writing at home–or at least fewer opportunities for procrastination. You can’t get up and load your dishwasher, fold your laundry, take a nap, or mop your floors when you’re at the coffee shop. But you can write. And you might as well–because there’s not much else to do. Spisak admits that when she writes at home, “sometimes laundry calls; dishes need to be done; or family voices want to disturb my productivity. Those are the occasions I like to support local small businesses by buying their coffee. (Being a writer is a different type of entrepreneurship, after all. We need to support each other where we can.).”

“If I paid for a coffee and scone, it’s like a miniature investment in my project.”

All that said, I myself rarely, if ever, write at a coffee shop, though a Starbucks sits at the main intersection just two miles from my front door. I once took a conference call there, and nearly a decade ago, I graded a stack of research papers there–but I can’t recall having ever actually written anything there.

The drawbacks to the coffee shop writing scene include the fact that, while you can’t get up and start doing chores or paying bills, other distractions exist–like chatting up the barista, talking with other customers, getting up to purchase another snack or drink, people watching more than writing, and the necessity to spend at least a little money. Spisak, however, sees the latter as something of a motivating benefit. “If I paid for a coffee and scone, it’s like a miniature investment in my project.”

Writing in a Comfy Couch or Chair

Who doesn’t like curling up with a good book (whether you’re reading it or writing it is beside the point) on a comfortable couch or chair? I mean, it’s comfy! So comfy, in fact, that you’re not likely to want to get up soon–so you’re likely to stay there a while and keep writing. Charlene Jimenez, a writing instructor and freelance writer, says she likes writing in a comfortable chair or on a cozy couch because “it’s nice to physically relax when you’re working your creative writing muscles.

The main drawback for me? I sometimes get a little too comfortable and end up giving in to the urge to nap.

Writing in a Home Office

According to Jimenez, “The solitude of a home office is the best. I’m surrounded by all my novel notes. It feels like my own space, so I feel comfortable and productive there.” Spisak agrees that there’s something helpful about being surrounded by all your materials and ideas. “At my own desk, I’m surrounded by inspiration and all of the resources I usually need,” she says. “My desk at home is my usual writing habitat. When I have my own desk at home, there’s no excuse for not getting my writing down. It’s there. It’s waiting. I just need to enter my writing space to make it happen.”

Setting up a certain space designed just to help you write can help condition your mind and writing muscles. You know that when you enter that space, you write. Similarly, people know not to disturb you; you’re working.

One drawback, however, is that while a home office may help you focus, it may not be particularly stimulating or inspirational (or it may make writing feel like, well, work).

Writing on a Porch or Balcony

Jimenez wrote most of her NaNoWriMo novel on her back porch, where her husband had just hung some beautiful lights, making the space peaceful and inspirational. Spisak, too, has a balcony she calls her “warm-weather office,” explaining she enjoys “the fresh air during my work time. Something about a nice breeze and birdsong can be inspirational.” I’m with you there, ladies! I love the different perspective offered by an elevated porch or balcony. I can see more, and see it all differently, lending me new ideas, stimulation, and inspiration.

Potential drawbacks include possible distractions, such as people stopping by to chat, traffic sounds, and my own tendency to eavesdrop on the conversations of neighbors or passersby…

Wherever you do most of your writing, I hope it offers the inspiration and motivation for your best work.

 

Social Media and the Write Life

“Comparison is the death of joy,” according to Mark Twain, and there’s something to that. You might be familiar with a more contemporary term for the truth Twain describes: FOMO. The acronym stands for “Fear Of Missing Out,” and refers to the phenomenon caused in part by social media platforms like Facebook, Instagram, Snapchat, and Twitter, which occurs when a social media user is exposed to, for example, the seemingly stellar Saturday night plans of his Fill-in-the-Social-Media-Platform friends, and compares those to his own evening plans–which inevitably seem lackluster by–you guessed it–comparison.

Today, more and more people experience FOMO–our own summer vacation at the beach paling in comparison to our colleague’s two-week trip to the Galapagos Islands, the long-stem rose our husband gave us for our birthday seeming somehow inadequate beside the two-dozen roses our neighbor’s husband gave her “just because,” our own career achievements seeming suddenly insignificant compared to our former college roommate’s successful medical practice or quick promotion.

“Comparison is the death of joy.”

–Mark Twain

I agree that comparing our own lives to the lives we see posted on social media–which are only the slices of life people want to display, usually the highlights–is both socially and societally problematic. I also agree that a pervasive use of social media is causing social degradation, as it decreases face-to-face communication and replaces precise, specific language capable of communicating complex emotions with (albeit cute and clever) emojis.

Recently, however, despite my tendency to see the downside of social media, I have come to believe that, if used deliberately, social media can produce positive effects, too, and in fact has yielded immediate positive impacts on my actual life–and this has been particularly true of my writing life.

Social media, used deliberately, has yielded positive impacts on my writing life.

This summer, I was invited to join the Virginia Outdoor Writers Association, and, shortly after I accepted, was asked to chair the VOWA Collegiate Undergraduate Writing and Photography Competition. One of my responsibilities within this role is to secure a new sponsor for the photography portion of the contest, a task on which I have been working since July or August. Recently, it occurred to me to put a call for a sponsor out on Instagram and Facebook–and within an hour, a fledgling photography company responded, interested in pursuing the sponsorship. Whether this pans out remains to be seen, but things are looking up.

 

In addition, several of the authors whose interviews have appeared on this blog, such as Luke P. Narlee, Brandi Kennedy, and Jill Breugem, I met via Instagram. I know that at least in the case of Narlee, the use of social media benefitted him, as well: One reader of this blog purchased and read his book as a direct result of having read our interview.

Some of my writing has even been published as a direct result of social media. My articles in writeHackr Magazine (unfortunately now defunct) were a direct result of social media. I found the magazine and its call for pitches and submissions on Instagram.

The good folks at My Trending Stories also found and contacted me through Instagram, having noticed my account. The same holds true for American Wordsmiths (though in that case, I found them).

My essays on sweatpantsandcoffee.com are also an excellent example. One of my colleagues follows the sweatpantsandcoffee Instagram account, and noticed a post advertising a call for submissions. She immediately shared the post with my account, and I pounced on the opportunity.

 

And, as strongly as I feel social media does anything but foster actual social interaction, my experience with Sweatpants and Coffee led to a real-life meeting with the website’s Operations Director, who happens to live less than hour away from me. We met up at a Starbucks (naturally–Sweatpants and Coffee) in downtown Richmond and spent a lovely couple of hours in the shade on the patio–having a real, face-to-face chat.

I had a similar experience with social media leading to actual socializing last fall at the James River Writers Annual Conference. A few fellow writers I had never met in person recognized me simply because we follow each other on Instagram. I got a little thrill of meeting the people behind the profiles, and our social media accounts gave us a sort of jumping off point as we got acquainted. In one case, I already knew she liked plants and painting; she already knew I was obsessed with my dogs.

It was thrilling to meet the people behind the profiles.

Finally, this blog, in its own right a form of social media, has provided a platform for people who read my work elsewhere, and want to reach out. On several occasions, people who have read my work in the Richmond Times-Dispatch have commented on this blog in response to what they’ve read–and each time, their personal, thoughtful comments have warmed my heart, and encouraged me to keep on keepin’ on. If I did not maintain this blog, these kind readers would have had no means of contacting me.

So, as I celebrate the fact that this weekend, my Instagram account reached over 500 followers (which, compared to the 5k followers some others might have could seem–oh, never mind…), and this post marks the 101st post on this blog, I acknowledge that social media, while it does pose its problems, can also prove a powerful and effective tool.

 

 

Writing Goals: Reflecting on 2017 and the “Write” Now

At the end of 2016, I composed a post detailing my 2017 Writing Resolutions. Now that 2017 has given way to 2018, and I have had a little time to reflect on the literary accomplishments of the last year, I admit it seems last year’s goals may have been a bit ambitious for me. But, I mean, that’s sort of the point, right? That whole shoot for the moon and land among the stars thing? Anyway… Here they are, the resolutions and the realities, side by side:

2017 Writing Resolutions

2017 Writing Realities

Write a diary entry at least once a week.

I came close here, writing almost every Friday when my students wrote in their journals, and every other Wednesday when Creative Writing Club wrote. I probably averaged once a week.

Compose and publish a blog post at least twice a month (preferably, once a week).

That was clearly too ambitious…

Read at least one book on craft per quarter.

I failed pretty miserably at this. It’s hard for me to find time to read during the school year (unless the material is student papers), and I traveled a lot this summer. I read the first chapter or so of Mary Karr’s The Art of Memoir, and I’ll finish it eventually.

Submit writing to various publications at least once a month.

I did submit writing to lots of publications—but not once a month; instead, my submission habits were pretty sporadic.

Make a concerted effort to find representation for Goodbye for Now.

I queried about one agent per week from January through March and pitched to someone I thought was an agent, but who turned out to be an editor, at the James River Writers Annual Conference in October.

Research self-publishing.

I didn’t really do this, short of some cursory internet grazing.

Attend conferences, talks, and workshops as schedule allows.

I succeeded here, attending all three days of the James River Writers Annual Conference and two, six-week Life in 10 Minutes workshops.

So, as the chart makes plain, some of my resolutions were very successful, some…not as much–but I wouldn’t call any of them complete failures. Plus, a lot of support for my writing cropped up unexpectedly in 2017, and I was pretty darn good about jumping on those opportunities as they arose. In fact, taking advantage of those unexpected opportunities was sometimes the reason my resolutions went by the wayside.

2017’s Unexpected Writing Adventures and Successes

  1. A deluge of freelance writing jobs, some short-term, some still in effect today.
  2. A surprisingly large amount of work accepted for publication in magazines, newspapers, and anthologies, as well as on websites.
  3. An invitation to become a member of the Virginia Outdoor Writers Association (VOWA).
  4. An invitation to attend the VOWA summer celebration.
  5. Becoming the new chairperson for the VOWA Collegiate Undergraduate Writing/Photo Competition.
  6. Acceptance into Vitality Float Spa‘s Writing Program.

2018: What I’m Doing “Write” Now

The last week or so, I’ve been a little disappointed in myself for not having set any writing goals for 2018, but it occurs to me now that, without necessarily planning on it, I’ve already begun to nurture my writing for this year. Earlier this week, I submitted three short stories to two different literary magazines, wrote a diary entry, and renewed my James River Writers membership. Today, I entered six pieces of my writing in three different categories of the VOWA Excellence-in-Craft Contest and composed this blog post. Next week, I start a year-long novel-writing class at the Visual Arts Center of Richmond. That’s right–every Wednesday for an entire year, I will stay up way past my bedtime, all in the name of writing. Now, if that’s not dedication (you don’t know me after 9:00 pm…), I don’t know what is. In addition, I’m currently judging student writing for the Scholastic Art and Writing Awards, an experience I enjoy every year. I’ve even already spent some time looking for some fresh freelance projects.

Looking Ahead

While I don’t have any specific, measurable goals laid out for my writing in 2018, I do know my novel-writing class begins next week. And I do know I will continue to write at least four articles per month for ScoutKnows.com. I also plan to continue–dare I say finish?–revising Goodbye For Now; write in my diary somewhat regularly; submit my writing to various publications; and attend the 2018 James River Writers Annual Conference. Oh, and I’ll take advantage of any unexpected opportunities that come my way, too!

Happy New Year!

A Writer’s Gift: Community

The Christmas season is upon us, and while I recommend checking out my gift guide for the writerly types (and dog lovers) in your life, I want to take a moment to acknowledge one of the most meaningful gifts we writers can give to each other: the gift of community. I think we can all agree that a certain amount of solitude is necessary to craft an effective, satisfying piece of writing, but just as important as the gift of quiet time to write, is the gift of time spent with our fellow writers.

Gifts from Fellow Writers

I owe a lot to some of my fellow writers. Below is a list of just a few of the many gifts they have given me.

Mind the Dog Writing Blog

Believe it or not, this blog would not exist at all if it weren’t for Charlene Jimenez, a fellow blogger, writer, and writing instructor. Several years ago, Charlene and I were enrolled in a few graduate level writing courses together, and after we finished our degree programs, kept in touch. If she hadn’t suggested the idea of a blogging network, you wouldn’t be reading this right now. My gift to her: I invite you to pay her (excellent!) blog a visit.

Life in 10 Minutes Workshops and 9 Lives: A Life in 10 Minutes Anthology

Without my friend Lauren Brown, who you’ve read about in this blog before, I wouldn’t have participated in the three or four Life in 10 Minutes Workshops I have loved. These workshops are not only therapeutic and encouraging, but also productive, supportive, enjoyable, and inspiring.

Participation in this workshop has resulted not only in a sense of accomplishment and an exercise of creativity for me, but has also fostered a sense of community and resulted in a few of my works being published.

Vitality Float Spa

Like Life in 10 Minutes, Lauren told me about the Writing Program at Vitality Float Spa in Richmond. In addition to a program for writers, the spa offers programs for chefs and artists. I don’t know much about the programs for chefs and artists, but the program for writers entails two free, 90-minute float sessions in exchange for one original piece of writing. The idea is that the float is so inspiring and freeing, the experience enables you to create a brand new piece of writing, work of art, or recipe (respectively). In my case, the gift of the spa experience resulted in another gift: the satisfaction of composing a poem inspired by the experience. Ultimately, Vitality plans to compile all the writing they receive into a book.

Freelance Work

My sister, Anne, a freelance writer and blogger, has provided me with numerous opportunities to turn my talent and passion into lucrative projects. Without her, much of my published work would not exist at all, much less be published.

Contently

As with freelance work, it was my younger sister who introduced me to Contently, a platform that allows writers to create and maintain an online portfolio, as well as to look for freelance opportunities.

Feedback

Many kindhearted writers have invited me to be part of their critique groups, which have provided me with helpful feedback and the ability to better accept constructive criticism. In fact, the idea to restructure my novel-in-the-works was the result of a critique group discussion.

Gifts for Fellow Writers

While getting the gift of community is rewarding, giving it to others is just as heart-warming. I love the feeling I experience when I know I have helped another writer succeed.

Publication in The Richmond Times-Dispatch

Lauren has given me much in the way of both friendship and writing, but I have also returned the gift, telling her about the My Life and In My Shoes columns of the Richmond Times-Dispatch, and encouraging her to submit work. She did, and her work often appears in the newspaper. Similarly, I encouraged a man with whom I attend church, Frank Wentzel, to submit work. He met with similar success, his work having appeared at least twice already.

Writing Jobs

Shortly after I began regularly writing articles for ScoutKnows.com, a website tailored to pet parents (like me!), the then-editor asked me if I knew anyone else who might be a good fit for the site. I immediately sent her the names of three or four of my best writer friends, some of whom now also write for the site.

An Outlet for Stories

Recently, my sister sent me information about an anthology looking for stories about women’s ability to rise above challenges and obstacles in their lives. Her initial thought was that I might want to submit; instead, I passed the information along to three of my friends, two of whom told me it was perfect timing; they had been looking for either a reason to tell their story, or an audience for it. The latter two, I know, were accepted for publication in the anthology.

James River Writers Annual Conference

For the last several years, I have enjoyed attending the James River Writers Annual Conference. When I learned a colleague new to my school also loved writing, I encouraged him to attend. He attended every year until moving out of state, and each year, we both looked forward to the event.

While writing can sometimes feel a solitary activity, we writers are our greatest resources. This holiday season, make a point to give the gift of community to the writers you know.

The Risk in Writing: Rejections Galore

Writing foyer paint I
This past weekend, another couple helped my husband and me paint the foyer in our nearly century-old vacation home, leading to a discussion about various art forms, from writing to painting.

Recently, one of my free-spirited, creative friends and her equally creative husband spent the weekend with my husband and me at an old house we purchased and are working to rejuvenate. My friend is a talented and passionate teacher with a penchant for languages and writing. Her husband, though he works in the technology field, is a gifted painter. My own husband builds lamps from

Writing foyer paint
While I don’t have the patience to actually paint the detailed woodwork featured in the foyer, and while the work in the above photo is unfinished, I’m proud of my vision, albeit executed by a more detail-oriented friend.

re-purposed materials and has recently begun creating beautiful stained glass pieces. And I? Well, I identify mainly as a writer, though I dabble in painting and amateur photography from time to time.

As the four of us painted the front foyer of our 1919 farmhouse, my friend gave me candid feedback on my novel, which I recently asked her to read, giving her free rein to rip it apart if necessary. She gave me some really insightful advice, and admitted she felt relieved that I had taken her constructive criticism so well (granted, she did an excellent job tempering her criticisms with compliments, but I digress).

writing stained glass
One of my husband’s latest artistic endeavors includes making stained glass pieces. This one hangs in a friend’s kitchen.

She followed her critique of my novel with the admission that she had decided she was no longer going to identify as a writer, in part because she needed more validation than she felt writing could offer her, and in part because writing simply offers less tangible and fewer results. When you paint a wall, for example, you can see the effect of your efforts almost immediately–as proven by the way our foyer brightened up with every coat of  paint. When you write a story or a novel, the progress is often much slower, and much less noticeable. In addition, while a newly-painted room is sure to get oos and ahhs, a story or novel is likely going to face dozens and dozens of rejections before it ever sees an acceptance (if it ever sees an acceptance).

You can show people a painting, a sculpture, a photograph–and they need only seconds to get at least a cursory appreciation of your work. But someone has to invest a lot of time and energy to read your poem, story, essay, or novel. And lots of activities vie for our time and attention. Writers compete for an audience with TV shows, movies, sports broadcasts, sleeping, errands, etc. We must not only write our story, but then convince people to commit their limited time and energy to reading it. After all, more energy and time are required to read a book  than to look at a piece of artwork or watch a film or play.

 

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Plus, producing a tangible product, like a painting or a sculpture, can be satisfying. You can display it. You can sell it. You can hold it, gaze at it, touch it. All of these things are much more difficult, if not impossible, to do with a poem or novel–not to mention the fact that a written work never feels finished. We feel always like we could find a more perfect word, more effectively structure our chapters, more expertly develop our characters or write our dialog or set our scene or or or…. At a certain point, we just have to decide it’s done, whereas other artistic endeavors we can more definitively finish, and that completion is satisfying and fulfilling.

 

I understand what my friend is saying. I have often questioned my drive to identify as a writer. Is it really necessary? Why do I care so much? Why do I write? It’s really hard, and I enjoy many other forms of creative expression–painting, singing (though I can’t say I’m any good anymore), sketching, design, photography, and even theater at one point in my life–and these open me up to far less criticism and rejection.

 

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As a writer actively seeking publication, rejections have become routine for me. Getting published is like winning the lottery–just as rare, but just as thrilling. I think maybe that’s one reason I keep writing: It’s hard (really, really hard sometimes), but the sense of accomplishment and elation I experience when a publication accepts my pitch, when I see my work in print or on-line, or when I get that long-awaited paycheck for an idea hatched a year before, far outshines the sense of disappointment that accompanies (yet another) rejection. Maybe I have come to accept that rejections are part of writing–at least for someone who seeks publication. I am no less a writer for having become more familiar with a sense of resignation at another thanks-but-no-thanks than with a sense of validation and accomplishment. In fact, another rejection at the very least means I’m producing enough work–enough writing–to send out into the world. The real fear sets in when I haven’t written anything new in a while–when my list of rejection e-mails shrinks because of a dearth of ideas, a sort of writing drought. My fear of having nothing to write far outweighs my fear of rejection. So, really, maybe that’s how I know I’m a writer.

Writing Rejections
Above, you can see the many rejections my desire to write has recently survived. With persistence and resilience, I have manged to find homes for some of these pieces.

My fear of having nothing to write far outweighs my fear of rejection. So, really, maybe that’s how I know I’m a writer.