Wednesday, my husband and I hit the road to visit family in Florida, and to help keep us awake and alert during our ten-hour stint on 95 South, we listened to the seven-chapter podcast, S-Town, by Serial and This American Life. It was thought-provoking, emotional, entertaining, and worthwhile. I laughed, cried, and marveled. It’s the kind of podcast that stays on your mind for days–probably weeks–popping up in your day-to-day when something seemingly inocuous inspires a memory of an emotion, thought, person, or question brought up in S-Town. It brings up big questions, like: What is fulfillment? How do different people achieve it? What does it mean to live a meaningful life? How can people achieve meaning in their lives? Do familial relationships trump relationships with friends, though in some cases, the friends are closer than family? Should familial relationships be given legal priority in every case? I could compose an entire post consisting solely of questions S-Town makes me ask myself, but I’ll spare you (listen to it yourself, if you haven’t already, and find out what questions it brings up for you). Besides, this post isn’t actually about the effect S-Town had on me personally; it’s about the connections I can make between it and my career as a writer and English teacher (though to be honest, the personal musings are far deeper than the professional ones).
The Mad Hatter
As a child, I enjoyed the cartoon version of the story Alice in Wonderland. As an adult, in a children’s literature class for my graduate degree, I had to read the full-length book–and I enjoyed that, too. Like me, you’re probably familiar with the story and its characters, including the Mad Hatter. You might also have heard the term, “mad as a hatter.” In listening to S-Town, I learned where that phrase comes from: In the 1800s, hat-makers (hatters) used a dangerous chemical compound to turn fur into felt for hats. Inhaling these chemicals on a regular basis caused many of them to go crazy, and even die prematurely.
“A Rose for Emily” and “The Masque of the Red Death”
One of the short stories I read with my students during our Gothic literature unit is William Faulkner’s “A Rose for Emily,” one of John B. Mclemore‘s (only click that link if you don’t mind a spoiler alert) favorites. The theme song of the podcast, “A Rose for Emily” by the Zombies, which I’d never heard before, alludes to the story and helps elucidate the meaning of the title, and the story, to a degree. I’m currently working on the best way to use it to A) enhance my teaching of the story and B) boost my students’ understanding of the literary device, allusion. In addition, my honors students complete a Literature Portfolio project throughout the course of the semester, requiring them to write short essays (Connections Essays) connecting a work of art, a piece of music, a work of literature, or a current event to the work of literature we are reading in class. Connecting the song “A Rose for Emily” to the story by the same name would perfectly exemplify the expectations for this assignment, as would connecting the short story to S-Town itself.
On a similar note, another Gothic author mentioned in the podcast is Edgar Allan Poe. One of his stories my students and I read is “The Masque of the Red Death,” in which the hourly striking of a large, black clock in a room of crimson and ebony provides a constant reminder to a group of revelers that their time is running out, and their hours are numbered. John B. Mclemore was an antiquarian horologist who built sun dials and restored old clocks. Herein lies more potential for a stellar Connections Essay.
At the risk of spoiling everything for you, I will just say that S-Town also provides an excellent example of paradox: time as both a punishment and a gift. (In addition to spoiling things for you, I risk going way too far into my musings on the concept of a lifetime and time if I continue!)
At least three new words jumped out at me as we listened:
Although some might see the sometimes racist characters in S-Town as the farthest possible thing from anything relating to Zora Neale Hurston, two similarities stood out to me. First, Hurston lived part of her life in Eatonville, Florida, which the earliest residents helped build from the ground up. Janie, the protagonist in Hurston’s novel, Their Eyes Were Watching God(which I read each year with my students), also lives in Eatonville, and is there for its incorporation, her husband having become the mayor and working hard to incorporate the town. John B. Mclemore played an integral role in the project of
putting Woodstock, Alabama (originally North Bibb), on the map as an actual town. Second, Hurston had a deep appreciation for folklore, and for spoken language and culture. While many African-American writers were attempting to create characters and narrators that sounded like, well, white characters, narrators, or writers, Hurston’s characters spoke in the vernacular of the people she knew, to the chagrin of many of her contemporaries, who perhaps saw her as proliferating negative racial stereotypes. Hurston, though, seemed to see herself as advocating for the beauty of these speech patterns, rhythms, and nuances. To learn more about this (and then some!), check out this audio guide by the National Endowment for the Arts. Like Hurston’s characters, the people in S-Town often speak in artful and unique phrases–without even realizing it; it seems to come naturally. They speak in clever metaphors without consciously crafting the comparisons, and use figurative language without even trying or, perhaps, realizing. Consider these two examples:
“He may have had a little sugar in his tank” as a way of saying someone might be gay.
“He’d drank enough Wild Turkey to make anyone gobble” as a way of saying he’d had enough alcohol to make absolutely anyone drunk.
These aren’t direct quotes, but they’re pretty close, and good examples of phrases that stood out me as particularly unique, amusing, or clever. Hurston’s characters, too, often express themselves in equally eloquent and creative terms.
One of the surest ways to support retention and critical thinking is helping students make connections between what they learn in the classroom, and the outside world. I found that as I listened to S-Town, I was experiencing what I hope my students experience when we read, discuss, and write: direct parallels between my own experience and education, and the real world.
Recently, I got to spend some time with my niece from Florida, who, just having reached the age of five, will begin kindergarten in about two weeks. She knows my husband and I collect sea glass, and as we were walking down a sidewalk in town, she picked up a broken glass bottle and held it up, exuberant.
“Look! I found some glass for you!” she exclaimed, impressed with her find.
My sister, her mother, quickly told her to put it down.
“But she gathers glass,” my niece said, clearly confused about the difference between sea glass and any old glass you might find in the street. After we cleared up the confusion, and her protest echoed in my head, I thought, “‘Gathers?’ What five-year-old uses a word like ‘gathers?'”
Other words I heard her use over the course of the next day or so included “scurry,” “scuttle,” “scamper,” and “scepter,” all of which she would casually and correctly use–just as if she were using the word “run” or “walk.” I started keeping a list. My niece knew about this list, and a few days after she returned home, I got a call from her.
“Hi, Aunt Amanda,” she said. “I have another word for you to add to your list.”
“Oh, you do?” I said, amused–and touched that my list had made such an impression on her.
“‘Glimpse,'” said my niece.
“‘Glimpse,'” I repeated. “Can you use it in a sentence?” My niece knew that in order for one of her words to qualify for the list, she had to use it correctly in a sentence. A few days prior, I had denied the inclusion of “humiliated” on the list, because although she had used it in a sentence, it hadn’t made any sense. (Though I must admit, I was impressed at her attempt, and told her as much.)
“I could barely see the bunny–I only caught a glimpse of him,” she said.
“Very good! You’re right–another one for the list.”
My sister’s voice came over the phone.
“Where does she get all these words?” I asked her.
“Well, we read to her all the time,” my sister said, matter-of-factly. And of course she’s right–the regular reading sessions every night and at various points throughout the day, as requested, no doubt play a significant role in my niece’s impressive and ever expanding vocabulary.
Read. If you want to learn, read. If you want to escape, read. If you want to relax, read. But, most especially, if you want to write, read. Words are the most powerful tools we writers wield–and we can acquire more of them simply by opening a book.
My niece’s enthusiasm for her growing vocabulary reminds me of my own experience with words. I can remember in third grade learning to use and spell the word “conservatory.” I felt so important, possessing such a large, polysyllabic word. Later, I can remember encountering the word “alabaster,” specifically in the phrase “her alabaster brow” (I think it was in an Anne of Green Gables book), and using it in my own writing every chance I got. It was exhaustive, really. The number of times you’ll find that phrase in my early writing is laughable.
When I first started this blog, I was rather good about composing a weekly Word of the Week post, and though I haven’t been very consistent with that recently, I still keep my eye out for new words, many of which I find in my reading. Currently, I’m (still) reading Roberto Bolano’s 2666, and in my last sitting alone, I became acquainted with the following new words:
impecunious–habitually poor (a word I can, unfortunately, employ regarding my own circumstances!)
philatelic–having to do with the study of postage stamps
crepuscular–relating to or resembling twilight (which might be my favorite of these newly acquired words),
just to name a few.
And, as it past my bedtime (my niece might say I should have scurried to bed long ago; I might say I should have started my crepuscular routine before allowing myself to grow this tired and the night to grow this old), I’ll wrap this up simply by saying: Read. If you want to learn, read. If you want to escape, read. If you want to relax, read. But, most especially, if you want to write, read. Words are the most powerful tools we writers wield–and we can acquire more of them simply by opening a book. The stronger our individual words are, the stronger our overall writing, and the more striking our impact, will be.
As the title of her blog post makes plain, Charlene writes about universal truths in our own writing. When I was in AP English Literature as a high school senior, my teacher refused to use the word “theme,” instead demanding that we discuss universal truths. I embraced this idea. To me, it made the literature more relevant–more real. I wasn’t searching for some obscure (to teenage me) author’s message, which, I was sure, wasn’t really his message, anyway, but some critic-imposed theme originating in academia; I was looking for truth, a pursuit that seemed much more noble.
Our ability to discern the universal truth in the writing of others directly correlates to the value we will or will not place on that writing. It directly affects our ability to understand a work of literature beyond its surface elements (characters, plot, setting–that sort of thing), and to instead see those elements as tools used to communicate a truth about the human condition. At the same time, as Charlene explains, while our ability to discern that universal truth does not depend on our having had the same life experiences as the writer or characters, it does depend on our having had the same emotional experiences.
Life experiences equip us with the emotional capacity to better understand universal truths expressed in literature.
For example, the first time I read Zora Neale Hurston’s Their Eyes Were Watching God, I was unimpressed. Really. It was, as they say, “meh.” I was unmoved. It was my fourth year teaching. I had just been assigned the honors classes, and the book was to be the students’ summer reading assignment. I read the book from cover to cover–all the introductory material, all the acknowledgments, everything. I took notes in the margins. I read carefully. But I didn’t like it. It was a chore. A year or two later, we changed the summer reading book, and Their Eyes Were Watching God collected dust on the shelves of the English department work room for several years. Two years ago, though, we reintroduced it as part of the core curriculum for both the honors and academic level classes. Since several years had gone by since I’d read the book, I decided I’d better read it again. Sigh…
The second time around, I loved it. What had changed? It was the same book with the same introduction, the same acknowledgments, the same notes in my same handwriting. Certainly, the story hadn’t changed. The writing hadn’t changed. Even the universal truths hadn’t changed.
But I had.
While I had not been married off by my grandmother to a man three times my age; while I had not run away with a man who swept me off my feet only to find myself stuck in a loveless marriage; while I had not nearly died in a hurricane or (spoiler alert!) shot my one true love in self-defense, I had a deeper capacity to understand the emotions these situations elicit because I had had my own life experiences that had deepened my understanding of what it means to be human–of love, loss, friendship, and self-actualization.
Yesterday, my husband and I celebrated a decade of marriage. The experiences we have shared helped open me up to the truths expressed in Hurston’s novel. Our marriage, and the sense of love and commitment I feel for my husband, expanded my emotional capacity, and helped me feel what Janie feels, though our situations are very different.
I had a similar experience with one of my all-time favorite books, John Steinbeck’s East of Eden. The first time I read it, I was an undergraduate at Michigan State. I. Loved. It. The complexity of the characters’ relationships, and of the characters themselves, fascinated me. It all seemed to so novel, so shocking, so eye-opening.
Several years later, having graduated and been in the working world for at least as much time as I’d spent in college, I reread it. I still loved it–I still refer to it as one of my favorite books–but my love wasn’t as enthusiastic the second time around. I was older. Maybe a little wiser. Maybe a little jaded. Whatever it was, somehow, the book’s impact wasn’t as powerful.
A book is never the same book twice, because you are never the same reader.
F. Scott Fitzgerald’s The Great Gatsby has also affected me very differently at various points in my (emotional) life. When I read it as a junior in high school, despite my teacher’s assertions that Daisy was shallow and flighty, I really admired her. I wanted to be like her, or, more accurately, I wanted to be loved like her. Now, 15 years later, I’m far more fascinated with Nick and Gatsby’s characters, and with ideas like personal responsibility (or lack thereof), the American dream and how far one is prepared to go-should go–to achieve it, what it means to be American and how this book fits with our national identity, among others.
Life experiences equip us with the emotional capacity to better understand universal truths expressed in literature. We don’t need to have had the exact same life experiences as the writer or characters, as long as we have had life experiences that allow us to have the same emotional experiences. You may never have lost your spouse to a car wreck, but you may have lost him to another woman, and thus experienced loss and grief (among other feelings, no doubt!). A book you may have genuinely related to as a teenager may seem trite when you reread it as an adult. Something you may not have grasped in a book when you were a bachelor may be crystal clear when you read the same book after you’ve been married for fifteen years and have two children. For these reasons, and others, rereading is valuable. A book is never the same book twice, because you’re never the same reader.
But I Already Know What Happens
I’ll admit it. Sometimes I dread rereading a book I’ve already read multiple times. Even if I’ve actually read it only once. Even if I really liked it. Even if it’s been years since I read it. I mean, I already know what happens.
But the fact is, I’m an English teacher, so sometimes (lots of times), I have to read the same book more than once. Besides the fact that reading the same book twice (or more than twice) can prove a different experience every time, every time I reread a book (and as an English teacher, I reread many books, many times), I find something new. Students sometimes marvel at the way I can read aloud and write notes in my book at the same time, without missing a word. Here’s the trick: When you know the story line and characters and setting–the basic stuff–your mind is free to notice deeper elements like motifs, author’s purpose, writing strategies–or even universal truths. The more times I have read a book, the more familiar I am with its fundamental parts. The more familiar I am with the fundamental parts, the more literary elements I am free to notice and attend to.
While you may know the plot like the back of your hand, and have certain sections of dialog memorized, rereading a book can still prove an enlightening and surprising experience. Instead of waiting for just what happens next, you’re waiting for what revelation dawns on you next. What will you notice about the author’s word choice or rhythm? What epiphany will you experience regarding theme or the use of setting? What literary devices have you somehow missed the first (and second) time you read the book? What cunning turn of phrase has escaped your notice–until the fifth reading of Huck Finn?
After I graduated from Michigan State University and began my teaching career in 2006, I could not imagine a single circumstance that would induce me to go back to school, especially while working full-time, but in 2009, I found myself itching to be a student again. I had noticed that since entering “the real world,” I was significantly less prolific in terms of the writing I was churning out, which had dwindled to the occasional diary entry. Before my entrance into the world of adulthood, I could usually fill an entire diary in a matter of just a few months, and would fill notebook after notebook with essays, poems, and stories. What had happened to me? Could I even call myself a writer anymore? I didn’t know. But I did know this: I missed writing, and I wanted to do it again. So I did what any rational person would: Put together a comprehensive writing portfolio and apply for admission to a master’s program for creative writing. I knew that with my demanding schedule, just wanting to write more would not result in actually writing more. But if I were part of a master’s program, and my grade depended on my carving out time for writing, and my reimbursement (a perk at work) for the costly classes depended on my grade, I would write. No matter how little time I had, I would write.
Before my entrance into the world of adulthood, I could usually fill an entire diary in a matter of just a few months, and would fill notebook after notebook with essays, poems, and stories. What had happened to me? Could I even call myself a writer anymore? I didn’t know. But I did know this: I missed writing, and I wanted to do it again.
My participation in a master’s degree program did indeed increase my writing motivation, inspiration, and productivity. It also benefited me in many other ways. If you are considering earning your MFA (Master of Fine Arts) or MALS (Master of Liberal Studies) in creative writing, I highly recommend it for the reasons that follow.
1. Exposure to Literature
Through the assigned readings in various graduate classes, you will be exposed to writers and literature you might not be inclined to pick up on your own, and you will grow as a writer and a reader from exposure to and study of every single one of them. I was enthralled with and enlightened by Tim O’Brien’s The Things They Carried, for example, and to this day would likely not have read a single page of it had it not been for the capstone project I completed in my degree program, which centered on the emotional truth as evidenced by both O’Brien’s and Ernest Hemingway’s works. I can guarantee I would not have read nearly as much flash fiction or prose poetry, and I certainly wouldn’t have attempted to write any. I owe those experiences and more to my graduate degree program.
Assigned readings in various graduate classes will expose you to writers and literature you might not pick up on your own, and you will grow as a writer and a reader from this exposure.
2. Exploration of Craft
During my time in my degree program, I wrote so many pieces I never would have written in so many genres I never would have tried. A graduate degree in creative writing will require you to write in various genres; utilize a myriad of techniques employed by some of the greats; apply literary devices you might not have thought to use; and study devices, writers, and perspectives. For example, you might have a tendency, however unconscious, to write predominantly in first-person. An assignment in a class might require you to explore writing in second- or third-person. Similarly, you might write mainly personal
narrative essays, but your degree program is inevitably going to expand your grasp of the craft as it demands you experiment with fictional short stories, poetry, creative nonfiction, etc. Working towards a master’s degree in creative writing will open you up to types of writing you may not have even considered before–or been aware of.
During my degree program, I wrote so many pieces I never would have written in so many genres I never would have tried.
3. Community Building
One of the most beneficial aspects of a degree program in writing is the supportive network the experience can help create. I began my program in 2009 and completed it in 2013, and now, as many as seven years later, I still communicate with several of my former classmates, even having recently embarked upon the creation of a blogging network with one of them.
4. Teaching Opportunities
Most community colleges, colleges, and universities require their instructors to hold at least a master’s degree. In the world of writing instruction, a master’s degree and published works can sometimes be enough to at least get you noticed.
5. Increased Pay
If you don’t desire to teach at the college level, but do want to teach secondary school, for example, a master’s degree in a field related to your subject area equals a pay raise at most public schools. As an English teacher, I was granted a partial pay increase after I had completed a certain number of credits in my program, and was given the remainder of the increase after I earned the degree, which also qualified me to teach a college level dual enrollment composition class consisting of motivated and intelligent college-bound high school students.
I looked forward to my writing homework each day after work much the way one looks forward to feeling the warmth of the sun on one’s skin after a cold winter. It was a welcomed escape, a peaceful release. And because it was, indeed, also homework, no one–including myself–could argue that it wasn’t important–that I was “only writing.”
6. Resume Building
Although no agent or publishing house is going to require you to hold a master’s degree before they will consider working with you or reading your work, it does lend you credibility on your resume and in your query letter. One element of a query letter is accolades–published works, involvement in writing organizations, writing awards and recognition, etc. A master’s degree in writing is something else that bodes well for you here. It shows you take your craft seriously, are dedicated to your writing, and have a solid background in the field.
7. Craft Improvement
This one is probably a bit obvious: The more you write, the better you write. For this reason, enrolling in a master’s program in creative writing will no doubt help you improve your craft. You will have the benefit of feedback from published authors, fellow students, seasoned writing instructors, etc. Not only will you be writing on a regular basis, but you will be revising and polishing your writing on a regular basis, becoming more self-aware as a writer and as a reader.
The more you write, the better you write–and a master’s program that requires you to write can’t hurt your cause.
8. Mandatory Writing Time
I mentioned above that my initial motivation for applying for admission to a master’s program in creative writing was to make sure I would build time into my schedule to write. It worked. During my four years studying creative writing, I was prolific. How could I not be, with writing assignments due seemingly constantly and reading assignments inspiring me with each page? But the process wasn’t arduous. No, quite the opposite. I looked forward to my writing homework each day after work much the way one looks forward to feeling the warmth of the sun on one’s skin after a cold winter. It was a welcomed escape, a peaceful release. And because it was, indeed, also homework, no one–including myself–could argue that it wasn’t important–that I was “only writing.”
If you don’t have the desire to enroll in a degree program, but still need help finding time to write, check this out.
Though Jill Breugem works full-time as a Learning Specialist, finding training solutions for internal business partners and facilitating and designing training, and is the mother of two children, she somehow manages to find time to write books on the side. Her debut novel, Read Between the Lines, launches on January 24, followed by a February 11 launch party at Blue Heron Books. What follows is my interview with this delightful debut indie novelist.
Jill Breugem: I always wanted to write a book and the inspiration came while having a chat with a friend. He talked about making sure that beyond our families, careers, and regular day to day, we find time every day to do something that we really love. If we are lucky, that is also our career. I do love my career; I also love writing. Once I started, I couldn’t stop.
The idea for my first novel literally woke me up in the middle of the night. I got out of bed, walked across the room and wrote some notes down.
I squeeze writing in when I can. Sometimes with everyone running around the house around me, sometimes in the late hours of the day when everyone was in bed and other times very early on the weekend before anyone got up. My favorite time is at 6am on a Sunday when everyone is fast asleep, the house is dark, and I have a hot cup of tea beside me.
MTD: How long did it take you to write it? What was your process like?
JB: It took me 15 months to write the book and an additional four months to complete edits, book cover, etc.
There were times I went weeks and didn’t touch it–I wanted to; I wanted to write so badly, but I just couldn’t. There were times I would write several chapters in only a couple hours and then other times that I would stare at the same sentence for hours, only to delete it. I created an outline of the story and mapped out the chapters. I set up goals in the program Nozbe to stay on track and organized.
MTD: What made you decide to self-publish as opposed to going the traditional route?
JB: Once I set out to write the book, it became a goal of mine to finish it. Many times I had started to write something and would stop. So, just the fact I finished the book was a major accomplishment for me. I always thought I would self-publish and admired a couple authors who self-published and were very successful. Bella Andre and Marie Force are two that quickly come to mind. They have been extremely successful with self-publishing ebooks in the last five years. Marie Force’s first novel, Maid for Love, was originally turned down by ALL publishers. She went on to sell 2.5 million books of her Gansett Island Series.
Getting published the traditional way was something that if it happened and the timing was right, the royalties reasonable, then that would be a cherry on top.
JB: I squeeze it in when I can. I work full-time and am a busy mom of two kids, a dog, a husband… Sometimes I write with everyone running around the house around me, sometimes in the late hours of the day when everyone was in bed and other times very early on the weekend before anyone got up. My favorite time is at 6am on a Sunday when everyone is fast asleep, the house is dark, and I have a hot cup of tea beside me.
Write because you want to, because you need to, because you have to – – for you, and for you alone.
MTD: What do you wish I would have asked you that I haven’t asked you yet?
I have a soft spot for romance. I love the anticipation and the happy ending. Like books, my movie choice is always a romantic comedy, too.
MTD: What advice would you give to aspiring novelists?
JB: Go for it! Write because you want to, because you need to, because you have to – – for you, and for you alone. Think positive and whatever happens from there…happens.
Social media is very important. Most authors will tell you that connecting with fans and other writers on social media has been key to their success.
Surround yourself with like-minded people. Follow (through social media!) authors that inspire you, authors you aspire to be, and people you can connect with.
Inventory is key. You need to have the next book ready for the readers. Once you have several published, offer the first for free or major discount through something like Book Bub. This will build up your fan base and hopefully inspire fans to buy your other books.
MTD: Have you already begun your second book, The Distance Between Us?
JB: YES! So excited! It is coming together so nicely. It is about two characters that you meet in the first book, Read Between the Lines. These will turn into a series. I have the next four books planned.
JB: My daughter designed my covers – I absolutely love them. You will see branding of the stripes on the next four books, as well–in different colors.
MTD: You mention that a portion of the profits from Read Between the Lines will benefit families touched by Autism. Tell me a little more about that.
JB: My amazing eight-year-old son lives with Autism. He has developmental delays and is non-verbal. Therapy, although VERY expensive, has been VERY important to his progress and growth. His learning center has been very good to us, and I want to make sure that I pay it forward and help other children like my son get the therapy they need.
MTD: What can attendees at your book launch party on February 11 at Blue Heron Books expect?
JB: My book launches on January 24th, but the launch party is on Feb 11th at Blue Heron Books. The party is for friends, family, and readers/potential fans to come and celebrate the launch of the book with me! I will sign books and there will be cake!
MTD: How did you go about setting up your book launch?
JB: I approached the bookstore and told them all about my book and asked if I could have the party there. They were happy to! It’s a quaint bookstore that draws you in; it’s an older building, with beautiful wood floors and shelves. It is a bookstore that just makes you want to stay…
I am (still) reading Roberto Bolano’s 2666, and during my sofa session Friday afternoon, came across this sentence on page 323:
“The oneiric wind whipped grains of sand that stuck to their faces.”
The word “oneiric” (oh-ny-rick) was a new one for me. The “Look Up” feature on my nook told me it is an adjective that means “of or relating to dreams; dreamy.” Merriam-Webster confirmed the definition, and informed me that the word rests in the bottom 50% of word popularity (what a shame). What a whimsical word to add to my vocabulary.
In addition to its inherent whimsy, the word applies to my own writing experience: The oneiric state I find myself in just before sleeping or just before waking seems to generate my best writing ideas. The only problem? Whereas I often remember my dreams, I only rarely remember the words I wrote during the course of them.
Other contexts in which I can imagine this word:
She waited impatiently for the oneiric effects of the medication to wear off.
He thought about the oneiric nature of his earliest memories, which might be memories, but might just as likely be imaginings based on stories he’d heard from his parents and grandparents and siblings hundreds of times, his imagination indistinguishable from reality.
The sight of the couple walking arm-in-arm down the cobblestone street summoned an oneiric sense of a life he felt he had never lived, though the photographs he had not yet removed from his walls told him otherwise.
She stepped off the plane and into the oneiric landscape of paradise.
Lastly, I am quite sure that the male protagonist of my current writing project, a novel in its seventh draft titled Goodbye For Now, feels an oneiric sensation at waking up in a stranger’s body, and viewing his life as an outsider.
Tomorrow is Thanksgiving, and following close on its heels is Black Friday. If we haven’t already done so, it’s time to start thinking about the thoughtful, meaningful gifts we can give to our loved ones–or perhaps the thoughtful, meaningful gifts we hope to get from them. Whether you’re focused on finding the perfect gift for someone else, or on crafting your own wish list, here are some ideas.
The first literary magazine I ever read was the result of a gift subscription from my aunt and uncle, who signed me up for Cicada Magazine, a young adult literary magazine put out by Cricket Media. Subscription costs range from $4.95-$59.95, depending on the duration of the subscription. This gift was of paramount importance in my writing life. Not only did it introduce me to the concept of what a literary magazine was, but it also led me to begin submitting my writing for publication. Cicada was the first non-school-related publication to which I ever sent work, and it was the first not only to publish several of my poems over the course of a few years, but also to pay me for them. I doubt when my aunt and uncle subscribed to this magazine for me, they could have imagined what an important role it would end up playing in my passion. The vindication I felt upon receiving my first acceptance letter and contract from Cicada was lasting and immense. Gifting a reader/writer with this magazine may open the door not only to memorable and fascinating works of literature, but also to her own opportunity for publication.
Gifting a loved one with this magazine may open the door not only to memorable and fascinating works of literature, but also to her own opportunity for publication.
My father, a fellow English teacher, was the person who first introduced me to OneStory, an aptly named and phenomenal little literary magazine. Each issue features only–you guessed it–one story. I love this magazine, because I am an exceptionally busy person whose time is always at a premium. I rarely have time to finish a novel during the course of the school year (though I devour them in the summer months). I do, however, have time for one story now and again. OneStory arrives once a month, so I know I always have about four weeks to finish the story, which can usually be read in one sitting (the challenge becomes finding time for the sitting!). A one-year subscription costs $21.
The best thing about OneStory is that even someone as busy as I am can usually find time to read just one story a month.
If your loved one likes a little board game fun, I highly recommend you consider one of these family-friendly, literary, board-based competitions as a gift.
For Writers, in General
When I was about half-way through the first draft of my novel (I am now working on the seventh draft of my novel), my sister and brother-in-law gifted me with an engraved pen and pen case from Things Remembered. Not only is it elegant, beautiful, and practical, but it was also one of the most meaningful and thoughtful gifts I have ever received; it showed me that they believed in me and in my dream, and that vote of confidence in the form of this pen still motivates me today. Every time I see the case and open it to retrieve the pen, my faith in my dream is renewed, and my motivation to write is revived. I am reminded that someone thinks I can do it. The pen is a manifestation of their faith.
The engraved pen and case showed me that they believed in me and in my dream, and that vote of confidence in the form of this pen still motivates me today. Every time I see the case and open it to retrieve the pen, my faith in my dream is renewed, and my motivation to write is revived. I am reminded that someone thinks I can do it. The pen is a manifestation of their faith.
Engraved pens and cases run between $5 and $300 at Things Remembered. I recently spent just shy of $50 on a pen with both the pen and its case engraved, and the recipient, an aspiring children’s book author, loved it.
Membership to a Local Writing Organization
Joining James River Writers was one of the best moves I ever made regarding my writing. In fact, it’s safe to say my novel would never have been finished had I not joined this group and begun participating in their many Writing Shows, events, and conferences. Membership to a local writing group yields many benefits, including reduced fees for workshops, events, and conferences; networking; exposure to agents and other literary professionals; motivation; regular newsletters; education–just to name a few. Paying for a loved one’s membership would no doubt be a welcomed gift.
One of the newest digital magazines for writers, writeHackr Magagzine, features author interviews and information on writing, craft, branding, ideas, the writing industry, the publishing industry, etc. To get a feel for the magazine, check out their blog. You can also find them on Instagram. I subscribe myself, and have even written a few pieces for the publication. I highly recommend it for all writers!
Membership to a Poetry Society or Organization
If you are local, buying a beloved poet membership to the Poetry Society of Virginia would be a practical, thoughtful, and meaningful gift. Benefits include a regular newsletter; reduced rates for attendance at the annual festival and other events; and participation in workshops, readings, and open mic events–to name just three. Other outcomes are motivation, inspiration, networking, and support.
I recently heard an interview with the famed memoirist Mary Karr on NPR. In 2015, she came out with a new book called The Art of Memoir, on which the interview focused. Listening to the interview, I wanted not only to read the book (I myself have listed it on my own Christmas Wish List), but also to be her friend. She was so genuine, honest, and raw–things I am often afraid to be when writing nonfiction. I feel I could really learn something from her–and her book. She was painfully honest in the interview, as I expect most memoirists must learn to be, at some point or another–particularly about herself. She did not shy away from saying about people things that might upset them. She was unabashed. To listen to the captivating interview, click here.
For Writers Aspiring to be Published
Subscription to Writer’s Digest
Writer’s Digest purports to be the #1 magazine for writers, and features publishing tips, craft tips, information on techniques, etc. There are three subscription options: A one-year digital subscription costs $9.96; a one-year print subscription costs $19.96; both digital and print combined cost $21.96 for one year.
The 2017 Writer’s Market
There are lots of options concerning The Writer’s Market books, so you can really tailor your purchase to the writer you’re buying for. Options include, but are not limited to: Novels and Short Stories Writer’s Market, Writer’s Market Deluxe Edition, Writer’s Market 2017: The Most Trusted Guide to Getting Published, and Guide to Literary Agents. On Amazon, they range in price from $9.90 to a digital edition of Writer’s Market 2017: The Most Trusted Guide to Getting Published, to $34.79 for the print version of Writer’s Market Deluxe Edition. Writer’s Market books also exist for poets and children’s books authors and illustrators.
For Dog Lovers
Richmond Animal League 2017 Calendar
What animal lover wouldn’t like to greet each new month with the photograph of an adorable rescue dog or cat–and the knowledge that the purchase of that calendar helped to find forever homes for even more loving animals? Each year, Richmond Animal League (RAL), a no-kill shelter in Virginia, hosts a calendar contest as a fundraiser. Contestants compete to see who can raise the most money for the shelter. The top twelve fundraisers’ pets are then featured within the calendar’s pages. To raise even more money in support of homeless animals, RAL then sells the calendars for about $15 each. They make a great gift!
Richmond Animal League Luminary
To honor the memory of a pet, or to celebrate the life of one still with you, as well as to help raise money for homeless pets, you can purchase in your loved one’s name (and/or their pet’s name) a luminary for the Richmond Animal League Operation Silent Night event. Luminaries start at only $20 and can be purchased here. Gifting an animal lover with a luminary not only honors him or her, as well as his or her beloved animals, but also helps provide hope for a homeless pet.
I have made some very meaningful memories and spent some high-quality bonding time with my dogs through training classes. My sweet beagle who, it turns out, hates “doggy school,” has still completed a basic training class, and my whippet-jack russell mix, who is quite the little scholar, has completed basic training and earned his Canine Good Citizen certificate at our local Petco. He and I have also participated in agility classes at levels A, B, and B/C at the Richmond SPCA. These classes not only enrich a dog’s life, but also strengthen and enhance the human-dog bond. When you gift someone with a training class, you are improving communication and understanding between the person and his dog; enriching the overall relationship; providing stimulation and, in some cases, as with agility, physical fitness for both dog and human, among other positive outcomes.
Doggy Swimming Lessons
One wish-list item that appears on my personal Christmas list this year is swimming
lessons with my whippet-jack russell, who, over the summer, discovered an absolute passion for swimming. He swam in the bay. He swam in the creek. He swam in the river. He swam in the sound. But it’s too cold to swim in the winter. Unless, that is, you enroll in lessons at Alpha Dog Club, or a similar organization near you, that has an indoor swimming facility for dogs. Swim sessions at Alpha Dog Club range from $25-$60 after a mandatory $60 introduction/evaluation session.
You can’t go wrong with light-up, reflective, or glow-in-dark doggy gear for safety. Many companies make collars, leashes, harnesses, vests, and collar charms that emit or reflect light so your canine companion is visible on those night-time or early morning jaunts.
Someone with a particularly energetic and agile dog, as well as a large enough yard, might find agility equipment, such as tunnels, ramps, teeters, and jumps, an excellent gift. Training on the equipment together is not only stimulating for the dog, but also good exercise for humans and dogs alike, and a great way for humans and dogs to bond.
Canine Life Vest
For those dog lovers and dogs who love to boat, fish, or swim, a doggy life jacket could be just the thing. It makes a dog’s aquatic adventures that much safer, and also assists him when he swims. You might also check out Ruff Wear‘s waterproof and wear-and-tear proof products. Click on the photographs below to enlarge them and read the captions.
Sadie’s swim is made easier with a canine flotation device.
Jack stands proudly on the bow of the speed boat, sporting his neon green life vest.
Safe in his canine life vest, Beans plays fetch in the waves.
Beans is king of the canoe in his canine life vest.
Donation in a Loved One’s Name
If you have a loved one who has no need of or want for anything, and whose pet is also already aptly provisioned, you might consider making a donation to an animal rescue organization in his or her name. Last year for Christmas, I donated to a bird rescue foundation as a gift for my dear friend who has always loved and kept birds. I was able to give him an information card on the bird species his gift was helping to support, as well as a few other mementoes to commemorate his gift.
Canine First Aid Certification Course
Just as with donating to an animal rescue organization, paying for a loved one’s enrollment in a Canine First Aid and CPR course could be a useful, practical, and life-saving gift. The hands-on, three- to four-hour course offered at Alpha Dog Club in Richmond, Virginia costs $75, a fee which then helps fund scholarships for shelter dogs who could benefit from the aquatic services offered at the facility. The certification lasts for the participant’s lifetime, and participants receive a canine first aid book to keep on-hand, as well as a few first aid supplies.
If any of these ideas helped you, please help me by sharing this post on Pinterest, or to your own social media accounts! In this season of thanksgiving and always, I will be very grateful. 😉 Happy Thanksgiving and gift-giving!