As a high school teacher, I learn as much from my students as I teach them. For example, several weeks ago, when I was teaching my students about the root “therm,” I got an education on thermite, and the fact that it can burn underwater. More recently, I overheard one of my students, who is getting ready to apply for a specialty arts program, say something really simple, but really profound, to a classmate sitting in her little pod of student desks: “I really hope they [the judges/admissions committee] like my art and that I get in, but at the end of the day, regardless of the results, I am still an artist.”
“I really hope they like my art, but at the end of the day, regardless of the results, I am still an artist.”
This statement resonated with me because, for the last few months, I have been sending query letters for my debut novel, Goodbye for Now, out into the ultra-competitive world of literary agents and publishers in the hopes of following the traditional route to seeing it published. So, far I have queried about fifteen agents (though it feels more like 1500)–some of whom have thanks-but-no-thanksed me the very day they received my query. I won’t lie and tell you that isn’t disheartening, because it is–it really, really is. But not disheartening enough to stop me. Not yet. I intend to query at least one agent a week for the entirety of 2017 before switching my tactic. If December 31, 2017, rolls around, and I still don’t have a single offer of representation, I will either reevaluate my query or attempt a new route altogether.
On those days when maybe the rejection starts to get to me just a little, I will remember the words of my student, and I will remind myself: At the end of the day, regardless of the results, I am still a writer.
And on those days when maybe the rejection starts to get to me just a little, I will remember the words of my student, and I will remind myself: I really hope agents and publishers and readers like my book, but at the end of the day, regardless of the results, I am still a writer. That part of my identity is not reliant on the validation of the mainstream publishing world (though it would be nice, and it is my goal…), nor is it dependent on recognition from critics or reviewers (though that would be nice, too). It relies only on the fact that I continue to do one thing: write. And that, my friends, I most certainly will do.
Your identity as a writer does not rely on the validation of the mainstream publishing world, nor does it depend on recognition from critics or reviewers. It relies only on the fact that you continue to do one thing: write.
Though Jill Breugem works full-time as a Learning Specialist, finding training solutions for internal business partners and facilitating and designing training, and is the mother of two children, she somehow manages to find time to write books on the side. Her debut novel, Read Between the Lines, launches on January 24, followed by a February 11 launch party at Blue Heron Books. What follows is my interview with this delightful debut indie novelist.
Jill Breugem: I always wanted to write a book and the inspiration came while having a chat with a friend. He talked about making sure that beyond our families, careers, and regular day to day, we find time every day to do something that we really love. If we are lucky, that is also our career. I do love my career; I also love writing. Once I started, I couldn’t stop.
The idea for my first novel literally woke me up in the middle of the night. I got out of bed, walked across the room and wrote some notes down.
I squeeze writing in when I can. Sometimes with everyone running around the house around me, sometimes in the late hours of the day when everyone was in bed and other times very early on the weekend before anyone got up. My favorite time is at 6am on a Sunday when everyone is fast asleep, the house is dark, and I have a hot cup of tea beside me.
MTD: How long did it take you to write it? What was your process like?
JB: It took me 15 months to write the book and an additional four months to complete edits, book cover, etc.
There were times I went weeks and didn’t touch it–I wanted to; I wanted to write so badly, but I just couldn’t. There were times I would write several chapters in only a couple hours and then other times that I would stare at the same sentence for hours, only to delete it. I created an outline of the story and mapped out the chapters. I set up goals in the program Nozbe to stay on track and organized.
MTD: What made you decide to self-publish as opposed to going the traditional route?
JB: Once I set out to write the book, it became a goal of mine to finish it. Many times I had started to write something and would stop. So, just the fact I finished the book was a major accomplishment for me. I always thought I would self-publish and admired a couple authors who self-published and were very successful. Bella Andre and Marie Force are two that quickly come to mind. They have been extremely successful with self-publishing ebooks in the last five years. Marie Force’s first novel, Maid for Love, was originally turned down by ALL publishers. She went on to sell 2.5 million books of her Gansett Island Series.
Getting published the traditional way was something that if it happened and the timing was right, the royalties reasonable, then that would be a cherry on top.
JB: I squeeze it in when I can. I work full-time and am a busy mom of two kids, a dog, a husband… Sometimes I write with everyone running around the house around me, sometimes in the late hours of the day when everyone was in bed and other times very early on the weekend before anyone got up. My favorite time is at 6am on a Sunday when everyone is fast asleep, the house is dark, and I have a hot cup of tea beside me.
Write because you want to, because you need to, because you have to – – for you, and for you alone.
MTD: What do you wish I would have asked you that I haven’t asked you yet?
I have a soft spot for romance. I love the anticipation and the happy ending. Like books, my movie choice is always a romantic comedy, too.
MTD: What advice would you give to aspiring novelists?
JB: Go for it! Write because you want to, because you need to, because you have to – – for you, and for you alone. Think positive and whatever happens from there…happens.
Social media is very important. Most authors will tell you that connecting with fans and other writers on social media has been key to their success.
Surround yourself with like-minded people. Follow (through social media!) authors that inspire you, authors you aspire to be, and people you can connect with.
Inventory is key. You need to have the next book ready for the readers. Once you have several published, offer the first for free or major discount through something like Book Bub. This will build up your fan base and hopefully inspire fans to buy your other books.
MTD: Have you already begun your second book, The Distance Between Us?
JB: YES! So excited! It is coming together so nicely. It is about two characters that you meet in the first book, Read Between the Lines. These will turn into a series. I have the next four books planned.
JB: My daughter designed my covers – I absolutely love them. You will see branding of the stripes on the next four books, as well–in different colors.
MTD: You mention that a portion of the profits from Read Between the Lines will benefit families touched by Autism. Tell me a little more about that.
JB: My amazing eight-year-old son lives with Autism. He has developmental delays and is non-verbal. Therapy, although VERY expensive, has been VERY important to his progress and growth. His learning center has been very good to us, and I want to make sure that I pay it forward and help other children like my son get the therapy they need.
MTD: What can attendees at your book launch party on February 11 at Blue Heron Books expect?
JB: My book launches on January 24th, but the launch party is on Feb 11th at Blue Heron Books. The party is for friends, family, and readers/potential fans to come and celebrate the launch of the book with me! I will sign books and there will be cake!
MTD: How did you go about setting up your book launch?
JB: I approached the bookstore and told them all about my book and asked if I could have the party there. They were happy to! It’s a quaint bookstore that draws you in; it’s an older building, with beautiful wood floors and shelves. It is a bookstore that just makes you want to stay…
For the last three days, the school where I teach has been closed due to snow. While I have indeed gone sledding, made snow angels, napped, taken my dogs for snowy walks, and even taken two snowy runs, I have also spent the last three days crafting a letter to the Virginia Department of Education regarding an insidious policy up for discussion later this month–a policy similar to legislation already vetoed by our governor, but that pro-censorship groups are attempting to push through the VDOE as a sort of backdoor approach. Below, read my take on the issue, and if you live in Virginia, please join me in writing to:
Emily Webb, Director for Board Relations
P.O. Box 2120
Richmond, VA 23218-2120.
Better yet, if you are free at 9:00 on the morning of Thursday, January 26, attend the public hearing on this issue.
Dear Ms. Webb:
I am writing to make you aware of my strong opposition to policies reminiscent of House Bill 516, wisely vetoed by Governor McAuliffe, and currently up for discussion by the Virginia Department of Education, specifically the potential requirement that schools “provide policies on the use of sexually explicit instructional materials to parents or guardians with the copy of the syllabus for each high school course and to include a notice to parents identifying any sexually explicit materials that may be included in the course, the textbook, or any supplemental instructional materials.” While I will be unable to attend the public hearing on this matter, as I, like many of my equally concerned fellow educators, will be on the frontlines in the classroom with my students that morning, it is very important to me that my voice on this matter be heard.
Let us give our students the opportunity to learn about, discuss, and study the effects of the darkness and the light in a safe, nurturing space where they can learn how to handle them in a healthy, productive manner. Do not let them leave the public school system without the tools needed to cope with what lies beyond the doors of their high school.
Though the language reproduced above seems innocent enough, it could very easily act as a catalyst for future censorship that would prove detrimental to our schools. I have been in the classroom for eleven years, and hold a Master’s degree—during the earning of which I wrote a lengthy, research-based paper on the problem of unwarranted censorship (as most censorship is). The regulations and policies that will be discussed on January 26 border on dangerous and senseless censorship (as most censorship is) that in no way helps, and in fact hinders, the intellectual, emotional, and moral progress of our young people. Censoring the literature they read based on minimal “sexually explicit” or otherwise “offensive” content or language—that may appear on merely one page of a much larger work—unnecessarily shelters students from reality and does not help prepare them to function as well-rounded, productive adults in the real world. Furthermore, the interpretation of “sexually explicit” is far too broad and subjective to be of any real value, and would allow for many relevant, artistic, classic, and important works to be excluded from a child’s education.
Censorship stems from fear, and is rarely anything more than a bid for control. Tell me–what are we afraid of, and what are we trying to control? The answer to the first question is perhaps less insidious than the answer to the second.
The intellectual development of our students lies primarily in their ability to think critically. One of the most effective means of teaching children how to think for themselves is to present them with various viewpoints, circumstances, situations, cultures, and people different from their own and from themselves—to help them learn to ask the right questions, see problems from various perspectives, and consider other points of view. Based on the policy under consideration, John Steinbeck’s Of Mice and Men would likely be considered for banning based merely on the brief mentions of cat houses and the fact that Lennie’s innocent petting of a dress was once mistaken for attempted rape. Many years, this is the only book some of my weaker students actually read—and love. Their focus does not rest on the cat houses or the non-rape; it rests on the characters, the emotions, the situations. They love to discuss the ideas of companionship versus loneliness, tolerance of “the other,” friendship, and sacrifice that the book brings up. The infinitesimal role of sex in this novella does not distract or demoralize them; instead, books like this encourage students to think about multiple perspectives, and expose them to time periods in which they can never live, places they may never visit, and people they are likely never to meet.
Only open, uncensored access to literature and information can help combat the creeping cloud of thought control I see on the horizon. We can take a step into its shadow by allowing these policies to move forward, or a step into the sunshine of enlightenment by adopting more progressive and productive policies regarding the literature read in our classrooms.
Books like this broaden their understanding of the world, and the human condition—thus helping to make them into more adept thinkers, able to consider different ideas and viewpoints, as well as to ask meaningful, insightful questions. What a shame it would be to deprive students of that opportunity simply because a cat house or glove filled with Vaseline is mentioned in passing once or twice in the course of the story.
In addition to helping children develop intellectually, reading books that this policy would likely deem inappropriate, such as The Great Gatsby for its (extremely subtly implied) sexual content, helps students develop emotionally. Reading books that contain challenging content matter exposes children to topics they will encounter in their adult lives, and gives them a safe, nurturing, and neutral place to discuss these topics before they must handle them on their own in the real world. Giving students the capacity to imagine what it would feel like to be in the multiple moral dilemmas Nick Carraway faces or to be so lovesick so as to engage in criminal activity just to get the girl, as is the case with Jay Gatsby, gives them an emotional foundation on which to stand when they themselves face real-life difficult decisions and moral dilemmas. In addition, asking them to put themselves into the shoes of various characters in these novels helps them develop the ability to sympathize and empathize, thus fostering in them a sense of compassion and emotional intelligence that I would rather nurture with “provocative” literature than stunt with senseless censorship.
I can think of very few instances in history when censorship has ever been looked on in a positive light or yielded positive results. In fact, quite the opposite: Censorship stems from fear, and is rarely anything more than a bid for control. Tell me–what are we afraid of, and what are we trying to control? The answer to the first question is perhaps less insidious than the answer to the second.
Literature mirrors life, and life is as full of gender discrimination, sexism, lust, and other depravities as it is of gentleness, love, acceptance, justice, and goodness. How can we teach true self-sacrifice without also teaching its opposite, selfishness? How can we teach the value of true loyalty without also teaching infidelity?
As a final point, I will simply say that if every work of literature that contains a scene, a sentence, or a situation that someone somewhere in the state might construe as “sexually explicit” were removed from the classroom, I cannot imagine what would remain at the secondary level. I would be hard-pressed to find a single novel that is devoid of any hint of sex. Literature mirrors life, and life is as full of gender discrimination, sexism, lust, and other depravities as it is of gentleness, love, acceptance, justice, and goodness. How can we teach true self-sacrifice without also teaching its opposite, selfishness? How can we teach the value of true loyalty without also teaching infidelity? Students need the emotional intelligence, the moral basis, and the critical thinking skills to face all of these issues and more. Let us give our students the opportunity to learn about, discuss, and study the effects of the darkness and the light in a safe, nurturing space where they can learn how to handle them in a healthy, productive manner. Do not let them leave the public school system without the tools needed to cope with what lies beyond the doors of their high school. If we do, we—and they–will certainly have more to fear than the mature content—expressed in prose so poetic, I would grieve to see my students deprived of it–of Their Eyes Were Watching God or Romeo and Juliet. We do our students no favors, no kindness, by shielding them from real life issues and experiences presented in works like these.
I ask you not only as an experienced educator, but also as a devoted aunt, a writer, and a concerned community member to please block these pro-censorship policies that will only foster the preponderance of ignorance and bigotry trying to take hold in our world. Now, more than ever, a student’s ability to think for himself or herself is critical, and limiting a student’s access to literature in any way only limits his or her capacity for compassion and critical thinking. Only open, uncensored access to literature and information can help combat the creeping cloud of thought control I see on the horizon. We can take a step into its shadow by allowing these policies to move forward, or a step into the sunshine of enlightenment by adopting more progressive and productive policies regarding the literature read in our classrooms.
By day, Luke P. Narlee works for the government, doing transportation security in the intelligence field. By night, he writes and publishes his own novels. His first novel, Guest Bed, explores the complex issues couples face after years of marriage. His second novel, The Appointment, which he hopes to release within the next two months, imagines a future world devoid of all enjoyments and meaning, a world in which depression runs rampant due to a collective sense of hopelessness and purposelessness–until Jacob Johansen agrees to attend a mysterious appointment. Below, read Narlee’s take on the writing life, including indie publishing.
Mind the Dog: Where did you get your inspiration and idea for your first novel, Guest Bed?
Luke P. Narlee: The inspiration for this story stemmed mostly just from being married myself. There are a lot of emotional ups and downs associated with marriage, and it’s no different with the couple in Guest Bed. Of course, being that it is fiction, my first priority was to entertain and keep readers guessing. But I also wanted to explore some of the deeper issues that tend to occur between couples when they’ve been married for several years. For example, when couples are struggling to make the relationship work, what is it that’s truly causing the arguments? What is it they’re yearning for when they decide to separate or commit adultery? I also wanted a lot of the focus to be on communication. In the story, the two central characters, Ron and Kate, have an abundance of communication issues, which is the cause of the majority of their arguments. I think that the characters in the book say what a lot of couples only think or keep internalized. My hope is that people will find their issues to be relatable.
An Excerpt from Narlee’s Novel, Guest Bed
She narrows her eyes. “You still don’t get it, do you?”
I sit up so that our eyes are level, trying to keep things as even as possible. “No, I guess I don’t.”
“I need more from you, Ron. I want to know what you’re thinking and how you’re feeling. You don’t share yourself with me anymore. Yes, we had fun downstairs, catching up on our days and exchanging witty banter. I enjoyed it. But that’s not what I need from you.”
I stare at her, breathing heavily.
“It’s not enough!” she says.
MTD: How long did it take you to write Guest Bed? What was your process like?
LPN: It started out as a short story that I wrote just for fun at least a decade ago. It took me a month or so to write it and set it aside. Then, within the last five years, I found a way to incorporate it into my soon-to-be published novel, The Appointment. Within The Appointment, there are a few chapters that read like short stories, and I thought Guest Bedwould be a perfect fit for that, but eventually my editor at the time convinced me that the story was too good to stay merely a chapter in a novel, and that it should stand on its own, somehow. I had no idea at the time that it would eventually become my first published novel.
Overall, I’d say it took me six months to write Guest Bed, and be fully satisfied with it, and about ten months all together from start to publish.It was relatively quick, considering I’ve been working on the The Appointment for five years.
MTD: Why do you think your progress with The Appointment has been slower in comparison to Guest Bed?
LPN: It’s a much larger book, with a more expansive story. Many more characters and things going on. It has taken me a long time to make sure everything fits together and aligns correctly in order to make a cohesive story.
MTD: How did you find or select your editor? Describe your relationship with your editor.
LPN: I personally have always hired freelance editors to work on my book, the majority of them on Upwork.com. It’s a great website, full of fantastic people who are very enthusiastic about helping people with their stories. I’ve worked with many different editors over the years, some better than others, but this year, in 2016, I’ve definitely found one or two new favorites that I hope I can continue to work with for many years to come.
MTD: What about a specific editor or group of editors appeals to you? What do you look for in an editor?
LPN: For me, it’s all about chemistry. You have to have good chemistry with your editor, meaning they understand your writing and the way you write and are able to help you improve it without ever changing your style. You have to find someone you click with and are comfortable with. It definitely becomes a relationship of sorts because there is so much back and forth communication. You have to have chemistry. It can’t just feel like a forced exchange between two people, where the editor is just doing a job and waiting to get paid. Also, a good editor is very thorough and will go the extra mile to make sure you are fully satisfied with the results.
I personally have always hired freelance editors to work on my book, the majority of them on Upwork.com. It’s a great website, full of fantastic people who are very enthusiastic about helping people with their stories.
MTD: What made you decide to self-publish as opposed to going the traditional route?
LPN: A couple reasons, actually. For one, I don’t generally have a lot of extra money or free time to spend searching for agents, and mailing out my manuscript, and begging publishing companies to accept my book as their own… The whole process felt overwhelming. I’d rather spend that time writing. Also, I don’t really like the idea of being forced to let the editors of the publishing companies have the final say in what is written in my books. I prefer to have full control over the content. Of course, this means more work on my part once it’s actually published, but so far it’s been worth it to me.
MTD: You mention that self-publishing means more work on your part once a book is actually published. Can you elaborate on that a bit?
LPN: When you self-publish a book, promoting it and marketing it are your responsibility. Some people just publish a book themselves and leave it at that, apart from telling close family and friends about it. But I’m definitely motivated to spread the word to as many people as possible because I love talking to people about it and hearing their thoughts on the story after they’ve finished reading it. I’ve been putting a lot of time and effort into marketing it on social media, particularly Instagram, Twitter, and Goodreads. I hope to be able to do more in the near future, as well, such as schedule a book signing at a few local bookstores. The reviews have been wonderful so far. The story has already touched a few people in profound way, and to me, that is more important than anything else. That alone makes all the hard work worth it.
LPN: The Appointment is quite a bit different from Guest Bed, which is a much smaller, personal mystery involving only two or three characters. The story in The Appointment affects an entire country and is more dystopian in nature. It involves a government that has become overly controlling due to recent terrorist attacks, and they’ve been forced to put the whole country on lockdown for a year. Nobody in and nobody out. Meanwhile, unexpectedly, all the citizens of the country begin to lose both their memories, and their ability to feel emotions. The main character, Jacob, is one of the last remaining people who still feels something, and is able to conjure little bits from his memory here and there. Then one day he gets invited to a secret facility to act as a guinea pig for a few experiments that may or may not fix everyone. If he agrees, he will be given the ability to relive old memories, enter parallel universes, and also live the lives of other people for a day, all in hopes of fully regaining his emotions. But the real question is… is that truly what he wants? Or is life easier when you don’t have to feel anything? To say that I’m very excited to publish this book would be an understatement.
MTD: How do you make time in your day to write?
LPN: I basically write whenever I have a chance. I don’t have a good, consistent schedule for writing yet, so if I have time between work at my office, I will do some quick writing. And when I’m home, particularly on the weekends, I make a habit of trying to carve an hour or two out of my day to sit with my laptop and write. But I don’t have a specific location or room that I do all my writing. Someday, I hope…
MTD: What do you enjoy most about writing?
LPN: I love the process of creating an entirely new world in my head and putting it down on paper for others to read and enjoy. The characters have a way of taking on a life of their own once you get into a groove. The story and the dialogue will just flow out of my brain without any forethought. Sometimes I’ll be typing, and the characters will surprise me with what they’re saying, like they’ve come alive and I’m just translating for them. That may sound weird, but most writers have experienced this at one point or another. It’s a beautiful thing.
The characters have a way of taking on a life of their own once you get into a groove. Sometimes I’ll be typing, and the characters will surprise me with what they’re saying, like they’ve come alive and I’m just translating for them.
I’m also a big fan of writing stories that are not only entertaining, but also make you think about your own life as well. I want my books to linger in people’s heads for a while after they’re done. There’s almost always a bit of ambiguity to my writing because I don’t like to make things too easy for people. I believe in leaving certain things open for interpretation, so the reader can decide certain elements for themselves. I think that makes for a more interactive experience between the reader and the book.
MTD: What advice would you give to aspiring novelists?
LPN: First, write for yourself. If you want writing to be a truly meaningful experience, write a story that you love and want to exist in the world. Next, don’t ever give up on your dream of becoming an author if that’s what you want to do. If I can do it, then so can you. It can feel impossible at times because it’s so time consuming, but it isn’t. You just have to set realistic goals for yourself and stick with them, such as scheduling blocks of time to accomplish each step along the way and planning how long it will take you to accomplish each of these steps. For example, maybe you need a few months to write a first draft. Then another month to do your first round of self-edits. Then eventually you hire a professional editor to go through it for you. Then you have to do more rewrites. You can’t expect any of it to happen too fast. If you want to write something that looks professional, and will stand out amongst the millions of other authors in the world, it takes a lot of time and patience. But it’s worth it. Whenever I hear someone on social media comment that they are losing hope on finishing their first novel, I immediately try to motivate them to think differently. I believe anyone can do it if they set their mind to it and plan accordingly.
If you want writing to be a truly meaningful experience, write a story that you love and want to exist in the world. Next, don’t ever give up on your dream of becoming an author if that’s what you want to do. If I can do it, then so can you.
It also helps to know the ins and outs of the process and when and how to make wise choices, particularly when it comes to publishing. I’m currently trying to get a list together of everything I’ve learned about writing and publishing in the last few years, so I can help others reach their dream of being a published author without breaking the bank or their minds. I haven’t had time to set up an official website or a blog yet, but I plant to, and in the meantime, I may self-publish a small self-help book about indie publishing as well. I’m all about helping people with this. In the world of writing, I feel that it’s absolutely essential that writers look out for one another, share their experiences with others, and act as mentors for those who are just starting out. It’s a team effort, for sure. Writing is a gift–your book is a gift, but it’s a gift that no one will want to open if you don’t do your homework and make smart choices.
Writing is a gift–your book is a gift, but it’s a gift that no one will want to open if you don’t do your homework and make smart choices.
I am (still) reading Roberto Bolano’s 2666, and during my sofa session Friday afternoon, came across this sentence on page 323:
“The oneiric wind whipped grains of sand that stuck to their faces.”
The word “oneiric” (oh-ny-rick) was a new one for me. The “Look Up” feature on my nook told me it is an adjective that means “of or relating to dreams; dreamy.” Merriam-Webster confirmed the definition, and informed me that the word rests in the bottom 50% of word popularity (what a shame). What a whimsical word to add to my vocabulary.
In addition to its inherent whimsy, the word applies to my own writing experience: The oneiric state I find myself in just before sleeping or just before waking seems to generate my best writing ideas. The only problem? Whereas I often remember my dreams, I only rarely remember the words I wrote during the course of them.
Other contexts in which I can imagine this word:
She waited impatiently for the oneiric effects of the medication to wear off.
He thought about the oneiric nature of his earliest memories, which might be memories, but might just as likely be imaginings based on stories he’d heard from his parents and grandparents and siblings hundreds of times, his imagination indistinguishable from reality.
The sight of the couple walking arm-in-arm down the cobblestone street summoned an oneiric sense of a life he felt he had never lived, though the photographs he had not yet removed from his walls told him otherwise.
She stepped off the plane and into the oneiric landscape of paradise.
Lastly, I am quite sure that the male protagonist of my current writing project, a novel in its seventh draft titled Goodbye For Now, feels an oneiric sensation at waking up in a stranger’s body, and viewing his life as an outsider.
Tomorrow is Thanksgiving, and following close on its heels is Black Friday. If we haven’t already done so, it’s time to start thinking about the thoughtful, meaningful gifts we can give to our loved ones–or perhaps the thoughtful, meaningful gifts we hope to get from them. Whether you’re focused on finding the perfect gift for someone else, or on crafting your own wish list, here are some ideas.
The first literary magazine I ever read was the result of a gift subscription from my aunt and uncle, who signed me up for Cicada Magazine, a young adult literary magazine put out by Cricket Media. Subscription costs range from $4.95-$59.95, depending on the duration of the subscription. This gift was of paramount importance in my writing life. Not only did it introduce me to the concept of what a literary magazine was, but it also led me to begin submitting my writing for publication. Cicada was the first non-school-related publication to which I ever sent work, and it was the first not only to publish several of my poems over the course of a few years, but also to pay me for them. I doubt when my aunt and uncle subscribed to this magazine for me, they could have imagined what an important role it would end up playing in my passion. The vindication I felt upon receiving my first acceptance letter and contract from Cicada was lasting and immense. Gifting a reader/writer with this magazine may open the door not only to memorable and fascinating works of literature, but also to her own opportunity for publication.
Gifting a loved one with this magazine may open the door not only to memorable and fascinating works of literature, but also to her own opportunity for publication.
My father, a fellow English teacher, was the person who first introduced me to OneStory, an aptly named and phenomenal little literary magazine. Each issue features only–you guessed it–one story. I love this magazine, because I am an exceptionally busy person whose time is always at a premium. I rarely have time to finish a novel during the course of the school year (though I devour them in the summer months). I do, however, have time for one story now and again. OneStory arrives once a month, so I know I always have about four weeks to finish the story, which can usually be read in one sitting (the challenge becomes finding time for the sitting!). A one-year subscription costs $21.
The best thing about OneStory is that even someone as busy as I am can usually find time to read just one story a month.
If your loved one likes a little board game fun, I highly recommend you consider one of these family-friendly, literary, board-based competitions as a gift.
For Writers, in General
When I was about half-way through the first draft of my novel (I am now working on the seventh draft of my novel), my sister and brother-in-law gifted me with an engraved pen and pen case from Things Remembered. Not only is it elegant, beautiful, and practical, but it was also one of the most meaningful and thoughtful gifts I have ever received; it showed me that they believed in me and in my dream, and that vote of confidence in the form of this pen still motivates me today. Every time I see the case and open it to retrieve the pen, my faith in my dream is renewed, and my motivation to write is revived. I am reminded that someone thinks I can do it. The pen is a manifestation of their faith.
The engraved pen and case showed me that they believed in me and in my dream, and that vote of confidence in the form of this pen still motivates me today. Every time I see the case and open it to retrieve the pen, my faith in my dream is renewed, and my motivation to write is revived. I am reminded that someone thinks I can do it. The pen is a manifestation of their faith.
Engraved pens and cases run between $5 and $300 at Things Remembered. I recently spent just shy of $50 on a pen with both the pen and its case engraved, and the recipient, an aspiring children’s book author, loved it.
Membership to a Local Writing Organization
Joining James River Writers was one of the best moves I ever made regarding my writing. In fact, it’s safe to say my novel would never have been finished had I not joined this group and begun participating in their many Writing Shows, events, and conferences. Membership to a local writing group yields many benefits, including reduced fees for workshops, events, and conferences; networking; exposure to agents and other literary professionals; motivation; regular newsletters; education–just to name a few. Paying for a loved one’s membership would no doubt be a welcomed gift.
One of the newest digital magazines for writers, writeHackr Magagzine, features author interviews and information on writing, craft, branding, ideas, the writing industry, the publishing industry, etc. To get a feel for the magazine, check out their blog. You can also find them on Instagram. I subscribe myself, and have even written a few pieces for the publication. I highly recommend it for all writers!
Membership to a Poetry Society or Organization
If you are local, buying a beloved poet membership to the Poetry Society of Virginia would be a practical, thoughtful, and meaningful gift. Benefits include a regular newsletter; reduced rates for attendance at the annual festival and other events; and participation in workshops, readings, and open mic events–to name just three. Other outcomes are motivation, inspiration, networking, and support.
I recently heard an interview with the famed memoirist Mary Karr on NPR. In 2015, she came out with a new book called The Art of Memoir, on which the interview focused. Listening to the interview, I wanted not only to read the book (I myself have listed it on my own Christmas Wish List), but also to be her friend. She was so genuine, honest, and raw–things I am often afraid to be when writing nonfiction. I feel I could really learn something from her–and her book. She was painfully honest in the interview, as I expect most memoirists must learn to be, at some point or another–particularly about herself. She did not shy away from saying about people things that might upset them. She was unabashed. To listen to the captivating interview, click here.
For Writers Aspiring to be Published
Subscription to Writer’s Digest
Writer’s Digest purports to be the #1 magazine for writers, and features publishing tips, craft tips, information on techniques, etc. There are three subscription options: A one-year digital subscription costs $9.96; a one-year print subscription costs $19.96; both digital and print combined cost $21.96 for one year.
The 2017 Writer’s Market
There are lots of options concerning The Writer’s Market books, so you can really tailor your purchase to the writer you’re buying for. Options include, but are not limited to: Novels and Short Stories Writer’s Market, Writer’s Market Deluxe Edition, Writer’s Market 2017: The Most Trusted Guide to Getting Published, and Guide to Literary Agents. On Amazon, they range in price from $9.90 to a digital edition of Writer’s Market 2017: The Most Trusted Guide to Getting Published, to $34.79 for the print version of Writer’s Market Deluxe Edition. Writer’s Market books also exist for poets and children’s books authors and illustrators.
For Dog Lovers
Richmond Animal League 2017 Calendar
What animal lover wouldn’t like to greet each new month with the photograph of an adorable rescue dog or cat–and the knowledge that the purchase of that calendar helped to find forever homes for even more loving animals? Each year, Richmond Animal League (RAL), a no-kill shelter in Virginia, hosts a calendar contest as a fundraiser. Contestants compete to see who can raise the most money for the shelter. The top twelve fundraisers’ pets are then featured within the calendar’s pages. To raise even more money in support of homeless animals, RAL then sells the calendars for about $15 each. They make a great gift!
Richmond Animal League Luminary
To honor the memory of a pet, or to celebrate the life of one still with you, as well as to help raise money for homeless pets, you can purchase in your loved one’s name (and/or their pet’s name) a luminary for the Richmond Animal League Operation Silent Night event. Luminaries start at only $20 and can be purchased here. Gifting an animal lover with a luminary not only honors him or her, as well as his or her beloved animals, but also helps provide hope for a homeless pet.
I have made some very meaningful memories and spent some high-quality bonding time with my dogs through training classes. My sweet beagle who, it turns out, hates “doggy school,” has still completed a basic training class, and my whippet-jack russell mix, who is quite the little scholar, has completed basic training and earned his Canine Good Citizen certificate at our local Petco. He and I have also participated in agility classes at levels A, B, and B/C at the Richmond SPCA. These classes not only enrich a dog’s life, but also strengthen and enhance the human-dog bond. When you gift someone with a training class, you are improving communication and understanding between the person and his dog; enriching the overall relationship; providing stimulation and, in some cases, as with agility, physical fitness for both dog and human, among other positive outcomes.
Doggy Swimming Lessons
One wish-list item that appears on my personal Christmas list this year is swimming
lessons with my whippet-jack russell, who, over the summer, discovered an absolute passion for swimming. He swam in the bay. He swam in the creek. He swam in the river. He swam in the sound. But it’s too cold to swim in the winter. Unless, that is, you enroll in lessons at Alpha Dog Club, or a similar organization near you, that has an indoor swimming facility for dogs. Swim sessions at Alpha Dog Club range from $25-$60 after a mandatory $60 introduction/evaluation session.
You can’t go wrong with light-up, reflective, or glow-in-dark doggy gear for safety. Many companies make collars, leashes, harnesses, vests, and collar charms that emit or reflect light so your canine companion is visible on those night-time or early morning jaunts.
Someone with a particularly energetic and agile dog, as well as a large enough yard, might find agility equipment, such as tunnels, ramps, teeters, and jumps, an excellent gift. Training on the equipment together is not only stimulating for the dog, but also good exercise for humans and dogs alike, and a great way for humans and dogs to bond.
Canine Life Vest
For those dog lovers and dogs who love to boat, fish, or swim, a doggy life jacket could be just the thing. It makes a dog’s aquatic adventures that much safer, and also assists him when he swims. You might also check out Ruff Wear‘s waterproof and wear-and-tear proof products. Click on the photographs below to enlarge them and read the captions.
Sadie’s swim is made easier with a canine flotation device.
Jack stands proudly on the bow of the speed boat, sporting his neon green life vest.
Safe in his canine life vest, Beans plays fetch in the waves.
Beans is king of the canoe in his canine life vest.
Donation in a Loved One’s Name
If you have a loved one who has no need of or want for anything, and whose pet is also already aptly provisioned, you might consider making a donation to an animal rescue organization in his or her name. Last year for Christmas, I donated to a bird rescue foundation as a gift for my dear friend who has always loved and kept birds. I was able to give him an information card on the bird species his gift was helping to support, as well as a few other mementoes to commemorate his gift.
Canine First Aid Certification Course
Just as with donating to an animal rescue organization, paying for a loved one’s enrollment in a Canine First Aid and CPR course could be a useful, practical, and life-saving gift. The hands-on, three- to four-hour course offered at Alpha Dog Club in Richmond, Virginia costs $75, a fee which then helps fund scholarships for shelter dogs who could benefit from the aquatic services offered at the facility. The certification lasts for the participant’s lifetime, and participants receive a canine first aid book to keep on-hand, as well as a few first aid supplies.
If any of these ideas helped you, please help me by sharing this post on Pinterest, or to your own social media accounts! In this season of thanksgiving and always, I will be very grateful. 😉 Happy Thanksgiving and gift-giving!